October 25, 2019

Some Outlining Questions

Look! Bonus content! It’s what the internet screams for!

Last weekend I was in Dallas talking to folks about NaNoWriMo. Overall I think it went pretty well. People laughed and chuckled in all the places I hoped they would.

However… there is strong evidence that I may have had waaaaaaaay too much caffeine before giving said talk. Combine that with a very echoey big room and, well, some of my brilliant observations about writing were lost. And most of my awkward jokes, too. So it’s a pros and cons situation.

Anyway, since I’ve been asked about a few things that got lost in my speed-echoes, I thought I could tweak part of the speech and post it here for everyone. It’s helpful for NaNoWriMo, but it’s some good overall stuff to keep in mind, too. Plus, this way I can add in a ton of links to help explain things even further.

What I’ve got below are eleven questions for you to think about when you’re sitting down with your story.  Depending on your particular plot/story/genre/cast of characters, there’s a chance one or two of these might not work for you.  But a lot of them should. In fact, I’d say if a lot of these don’t apply to the story I’m trying to tell, I’m probably missing something important.

1) Who’s my main character—or characters, depending? Man, woman, non-binary, young, old, straight, gay, werewolf, vampire, bionic space Pope, who are they?

2) What’s a normal day for them? What would they be doing today if they weren’t falling in love or saving us from vampire kaiju? What’s their day job?

3) What happens to make this not a normal day? What changes in their life? Why are we writing a story about this day & not a day last week or next month? Fancy folks call this the inciting incident or introducing conflict. I just like to say… why is this not a normal day?

4) What are they trying to do? Really simply, what’s my book about? This is their goal.

5) Why are they trying to do it? Fancy people call this “their motivation.” Kidnapped friend? Revenge? The greater good? Nanite bomb implanted in their groin? Why aren’t they just saying screw this and going back to their normal life?

6) How are they trying to do it? What actions are they taking? Do they have a plan? Are they making it up as they go along? We want our characters to do something.

7) What’s stopping them from getting it done right now? Is their goal far away? Under guard? Super expensive? Only dates cheerleaders?

8) Do I have an antagonist? Somebody openly trying to stop my hero, for major or minor reasons. My antagonist doesn’t need to be a villain, but they’re definitely somebody with opposing views.

9) What does my antagonist want? This is another character, so we want to develop them. They’re going to have goals, too, even if it’s just “kill all those kids out at the summer camp” or “stomp across Vatican City once the sun goes down.”

10) Why do they want it? My antagonist needs to have motives, too. So just like with my hero–why are they doing this?

11) Finally, what happens when my hero achieves their goal? Are there parades? Explosions? Bloody vengeance? Long passionate kisses? What happens if everything works out right? And on the flipside, what’s going to happen if they don’t achieve their goal?

Now, again, these aren’t end-all be-all questions. There’s a good chance 1 or 2 of them might not apply to the story you’re telling. But the answers to most of these questions should exist, even if I’m never going to specifically spell them out in my story.

Y’see, Timmy, if I can answer all of these… look at what I’ve got. It means I’ve got characters. I’ve got an established norm. I’ve got an inciting incident. I’ve got goals and motivations and obstacles. And these are the kind of things that form the bare bones of an outline. They should spell out a basic plot and story. If I can answer these, I know I’ve got an actual story.

And if I can’t… well… odds are I’ve got some more work to do.

Hey, speaking of bonus posts, I wanted to toss out something else seasonal on Monday or Tuesday. And then back to our usually scheduled rants on Thursday.

Until then, get back to writing! Go on… write!

October 19, 2019

DFW Writers Workshop

     So, hey, if you’re in the Dallas area and you’re not doing anything tomorrow…

April 25, 2019

In The Beginning…

Running a bit late with this today.  Sorry.

So, I’m wading into a new book this month, and I figured… well, that’s probably a great time to talk about getting started and the draft process.

Of course, right off the bat… did I really start it this month?  I mean, sure, about two weeks ago I sat down and started actively working on an outline for it.  But the truth is, this is actually the second outline.  I first pitched it to my agent almost two years ago (and then again to my editor that summer).  They both said (and eventually, I agreed) that it needed some more work.
And, really, the bare idea came almost a year before that.  Back in early 2016, if memory serves.  I know I talked with another author, Kristi Charish, about one aspect of it back then, to get her thoughts and expertise on parts of it.

When do we “start” writing?  When does it count?  Is it when we first start thinking about a project?  When we actually make some notes or an outline?  Or is it not until I write VAMPIRE KAIJU: BOOK ONE by Peter Clines   CHAPTER ONE…?

I think that’s worth mentioning, because whenever I see someone talking about writing a book in five weeks or two months or whatever, I always wonder what they’re counting.  A finished, polished manuscript?  Just the first draft?  Are they counting the time they spent outlining, or that they started mulling it over months—maybe years—in advance?

Paradox Bound came out in 2017, but I pitched it to my editor and wrote up a first rough outline back in 2013.  And Dead Moon, my new one that just came out on Valentine’s Day?  My very first stab at that actually happened back in 2011, right after I finished writing Ex-Patriots.  Yeah, it was a different book back then, but still… when I sat down to “start” writing it in 2017, I already had about 30,000 words done.

So how long did they take to write…?

Again, just think about that the next time you see someone say they wrote something in a short amount of time.  Or in a very long amount of time.  We all have our own thoughts about what counts as starting and stopping points.

Anyway…

At the risk of sounding arrogant, let me walk you through my process.  Well, more of a quick stroll, really.  I’ve talked about a lot of this before (so I’ll add a lot of links), and I don’t want to bore you with it since… well, odds are you won’t be doing things this way.

No, seriously, you won’t.  The process I use is pretty much unique to me.  And the process you use is unique to you—even if maybe you haven’t figured it out yet.  Or you’re in the process of evolving from one process to another.  I’m just showing off mine to maybe spark some thoughts and help you think about such things.

So… let’s get started.

All of this always starts with an idea.  Maybe you’re the type who writes them down, maybe you keep it in your head for a while.  I’m 50-50 on it.  If an idea really sings in my head right at the start, in any sort of way, I always write it down.  But some I mull over for a while.  I let them ferment in my brain, see if they grow a little or get a better shape.

Eventually all these notes come together in some form of rough outline.  I think we all do some kind of outline.  Even the most random of road trips starts with, at the bare minimum, “let’s head west.”  Maybe it’s just a page or two of those rough notes.  Maybe it’s an extensive beat sheet.  It might be a huge stack of color-coded index cards.  This stage is really going to come down to “whatever works for you.”  The outline I just finished up for this project is twelve pages, with another two page document about the characters, but that’s just me.

And now, I guess, we’re ready to “start” writing.

My first drafts are big, messy things.  I write a lot, but I also skip a lot of things.  The only goal with a first draft is to get it done.  Nothing else matters.  Not punctuation, not spelling, not finding the exact right word or crafting the perfect cool line to end that chapter on.  These things’ll matter eventually, but right now… I just want to finish this draft.

NaNoWriMo is really all about this.  It’s pushing yourself to just focus on finishing a first draft, rather than slowing down to worry about individual scenes and chapters.  If you’re especially determined (or masochistic) you could try the 3 Day Novel contest.  My partner’s done it a few times now and… well, I just try to keep her supplied with coffee and stay out of her way.

Once I’ve got this done, I dive into my second draft.  This is me in clean-up mode.  All the stuff I skipped gets filled in.  Sentences I never finished, incomplete descriptions, the places where I had to look up a certain place or name and for now it’s just ######### or [ADD BIG FIGHT HERE] or [MAKE THIS NOT SUCK SO MUCH!!!]
I also take a good look at the things I skipped.  Why didn’t I write it earlier?  Could I not come up with anything to go between these two elements?  Was I just not interested in writing that bit? If I’m not interested in writing it, people probably aren’t going to be interested in reading it.  This might tighten things up right here.

For me. the goal with this draft is to end up with a solid, readable manuscript.  Someone should be able to go to page one to page 500 and never hit any weird gaps or confusing typos or anything else that immediately kills the flow.

Third draft is editing.  I go through the whole manuscript line by line.  I check all my spelling.  I look for repetition and redundancy.  I cut a lot of excess words here.  Thousands of words, usually.  This involves a bunch of passes, the last one to make sure all this random cutting and tweaking hasn’t created any new hiccups.

When I’m all done with this—which can take a week or so—I try to get it in front of a few people I trust.  My partner.  Old friends who’ve ended up in the storytelling line of work.  People who’ve heard me talk about it and people who don’t know a thing about it.  The important thing is they’re all going to give me honest thoughts and opinions.  Which may sting sometimes, but will be much more useful.

Once I have all these notes from folks, I start my fourth draft.  Now I’m going through all these copies one line at a time, taking notes of my own and implementing changes where they’re needed.  How many people liked this bit?  How many didn’t like that one?  Whoops, guess I missed a comma there.  Now, having been away from this for a month or so while other folks were reading it, that line’s really dumb, isn’t it? Did I actually think that was deep and clever at some point?

This takes at least a week. Often more.  I’m simultaneously reading three or four copies of the book line by line, getting everyone’s thoughts and takes on it.  Weighing their thoughts against my own and each others.  Sometimes it goes fast, other times… it’s really slow.

And this eventually, finally brings us to the fifth draft.  This is me going through the whole thing again to make sure those fourth draft edits didn’t leave anything hanging or tweak a key point.  Just a nice, slow read-through.

One thing I like to do at this point is switch the whole thing into another font.  If I’ve been writing in , I switch it all over to Courier New.  If you’ve been doing that Comic Sans thing, hey, you needed to switch anyway.  When I do this, it makes everything sit differently on the page.  The words look different.  And suddenly passages I’ve been glossing over (after going through this a dozen times) are fresh and new.

And at this point… I wrap it up.  I think it’s important to just say “done” and move on to new projects, or else you can get stuck in an endless trap of rewriting again and again.  After all these rewrites and edits, there’s not much else I can do.

So that’s my process, beginning to end, in a nutshell.

Hey, what do you want?  I just started a new book.  I’ve got work to do.

Speaking of which… next time, I’d like to talk to you a bit about that guy across the street who just said the weirdest thing to me.  See him right over… where did he go?

Until then… go write.

November 29, 2018 / 3 Comments

Next Time, Gadget! Next Time!!

            Wow, November’s almost over.  Where’s this month gone?  Hell, where’s this year gone?  Can you believe Black Panther only came out a little over eight months ago?  Seriously.
            Anyway…
            The end of November also means we’re closing in on the end of NaNoWriMo.  About, what, a day and a half left?  Maybe a little less, depending on when you read this?  I hope it’s going well for you.  I’m sure you kicked ass, but I hope you realize that.  Whatever you got done this month is an achievement.  So many people talk about writing, but you went out and did it.
            How much did you get done?  Thirty thousand words?  Forty five?  Sixty?  Are you one of those inhuman folks who closed in on ninety thousand words (an average of 3000 words a day—I know lots of pros who’d envy that kind of stamina).
            Which brings me to one of the best things you’ll get out of this.
            Let’s say you ended up with 45,000 words.  An average of 1500 a day.  Not a novel, but it’s halfway there, easy.  It’s a good solid novella as is, and there are some markets opening up for that sort of thing.

            But here’s the thing…

            If I did this once, I can do it again.  Those 45,000 words are inarguable proof that I’ve got the ability to produce words at a good rate.  At a professional rate!  Which means I could do it again in December and boom look at that! A ninety thousand word manuscript, if I keep going on the same thing.  That’s a novel.  Any publisher on Earth would call that a novel.
            Are they 90,000 perfect words?  Ehhhh… probably not.  But it’s a very solid first draft.  And if you produced a first draft, it means you’ve got it in you to do a second and third draft.  You can’t deny it.  The proof is right there.
            Even better—you can do it again!  Maybe in March and April.  Keep up that same rate and there’s another 90,000 word first draft.  Hell, maybe next time you’ll be just a little faster.  Now that new manuscript’s 100,000 words long.  One.  Hundred.  Thousand.  Words. 
            And we both know you can do it, because you just did it now during NaNoWriMo.  And you can do it again.  And again.  And again..
            A bunch of times here I’ve mentioned my early attempts at writing novels.  The Werewolf Detective of Newbury Street.  The Trinity.  Even the wonderfully goofy, very early-oeuvre masterpiece Lizard Men from the Center of the Earth.  One thing they had in common was that I didn’t finish any of them.
            Another thing they had in common is that nobody bought them.  Nobody was really interested in them.  Because they were incomplete.  I didn’t have the stamina—or the confidence—to finish them.

            The Suffering Map is the first thing I finished.  It’s the first thing I wrote that made it to second and third and fourth drafts.  It’s also—no coincidence—the first thing of mine that got any interest from agents and editors.

            Did they buy it?  No, of course not.  It’s still awful.  I mean, let’s be honest–it was my first finished book.  There was so much clumsiness in it, on so many levels.
            But I finished it.  So I knew I could finish another one.  A better one.
            And I did.  I wrote my next book in almost a third the time.  Or a tenth, depending on how you want to look at things.  And that book sold.
            Being able to produce words is a huge accomplishment.  Having the discipline to keep doing it is fantastic.  And if you’ve managed to do ninety, fifty, or even just ten thousand words this month, you’ve proven you can do this on a regular basis.
            So, congratulations.  You just won NaNoWriMo in one of the most important ways you can.
            Next time, I thought I’d bounce a couple character ideas off you.
            Until then… go write!

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