November 29, 2021 / 5 Comments

Cyber Monday IX: The Consumering

I’m not that big on Cyber Monday anymore because it really tends to just direct a lot of traffic toward Amazon. But it’s that time of year where people have too much eggnog and all the skeletons come out of the closet. Uncle Jack hates to admit it, but artists only get to make art because they get paid.  Artists get paid when people buy their art.

So I’m going to ask you to buy some books. And for two or three of them, I may have to direct you to Amazon. For everything else, you should just be going to your local bookstore and asking for a copy. They’re very cool, they could use the business, and this way you’re not one of those conformists sheeple falling for that Cyber Monday capitalist nonsense. You’ll get to brag about that until Valentine’s Day, easy.

So here’s a list of my books and a few short story collections. Please put them on your wish list or get them as gifts for friends and family members.

First up, you could pre-order The Broken Roomat your favorite local bookstore, in hardcover or paperback. It comes out in early March, so really this is a gift for yourself. And kind of for me, because those preorders really impress publishers and help out a lot. I think we’re going to be having a cover reveal any day now…

Terminus is part of the Threshold universe of stories. It’s about a bunch of people who end up at a strange, uncharted island in the middle of the Indian Ocean. Chase is running away from things, Anne is running towards them, and Murdoch is slowly coming to realize he probably shouldn’t’ve stopped running. They all start to explore said strange island, their paths begin to cross, and the end of the world begins to unfold around them. It’s currently available in ebook and audiobook (read by the always-fantastic Ray Porter). No paper, I’m afraid, but I may have news about this next year…

Dead Moon is about a woman who runs away to the Moon and finds… well, zombies on the Moon. And some other things, too. It’s spooky and fun and I’m quite proud of it. It’s another one that’s in ebook and audio, but no paper (sorry)

Paradox Bound is my New York Times-bestselling story about infatuation, road trips, American history, a pretty cool train and some pretty creepy antagonists. F.Paul Wilson said it was like Doctor Who crossed with National Treasure, and if that doesn’t get you interested I don’t know what will. There’s an audiobook, ebook, paperbacks, and you might even find a hardcover here or there if you’re lucky. Call your local bookstoreand ask if they’ve got one.

Somebody once described The Fold as a horror-suspense novel disguised as a sci-fi-mystery, and I’ve always liked that. It’s available in pretty much every format you can imagine, and it’s also part of the unconnected “series” of Threshold books.

Several of you found your way here because of my odd little sci-fi-urban-horror-mystery novel–14. Alas, the paperback has lone since gone out of print, but there’s still an ebook and a phenomenal audiobook narrated by Ray Porter (the first project we did together). And there might be more versions in the year to come, but we’ll talk about those when we can… 

Another big bunch of you are here because of the Ex-Heroesseries. Superheroes fighting zombies in post-apocalyptic Los Angeles (and a few other places).  Ex-Heroes, Ex-Patriots, Ex-Communication, Ex-Purgatory, and Ex-Isle. All of these are available in a number of formats and a number of languages.

My mashup novel, The Eerie Adventures of the Lycanthrope Robinson Crusoe, is finally available as an audiobook. Bad news… it also only has audio and ebook versions at the moment. Sorry. Hoping to fix that soon, but I really think the audiobook might be a better format for this one.

I also have a short story collection called Dead Men Can’t Complain.  It’s got a bunch of stories I’ve had published over the years in various anthologies and journals, plus a few original ones.  It’s an Audible exclusive, and it’s read by Ray Porter and Ralph Lister.

You can pick up The Junkie Quatrain as either an ebook or an audiobook (still no paper, sorry). It’s my attempt at a “fast zombies” tale, a short series of interconnected stories I’ve described as Rashomon meets 28 Days Later. It also features a recurring character of mine, Quilt, who keeps showing up in different stories in one way or another… 

Thus ends my shameless Cyber Monday appeal to you.  Again, so very sorry we had to do this, but it really does make the marketing folks happy and they’ve always been really good to me. Also, please check out this year’s list of some of the great books I’ve read by other, much better authors.

And please don’t forget my Black Friday offer if you happen to be one of the folks who may need it.

We now resume your regular internet shopping. Browse responsibly. Clear your history on a regular basis. Especially you, Doug. No, sweet jebus, don’t click on that—that’s not really from PayPal.

And we’ll be back to regular writing stuff on Thursday.

Well, it’s that time again. We’ve made it most of the year, but now I’m afraid I need to shill some books. Lots of books.

Yeah, it makes all of us uncomfortable, but it’s also how I make a living. Which is, y’know, writing more books. And which gives me time to make all these ranty blog posts, some of which are about things you’ve asked me to write about.

So really, all of this is on you.

Anyway, here’s a bunch of things I’ve written that are out there for you to enjoy. Or maybe for you to enjoy giving to friends and family members. So they can enjoy them.

Terminus is the latest book set in the Threshold universe of stories. It’s about a bunch of people who all end up at a strange, uncharted island in the middle of the Indian Ocean. Chase is running away from things, Anne is running towards them, and Murdoch is slowly coming to realize he probably shouldn’t’ve stopped running. They all start to explore the strangeness there, their paths begin to cross, and the end of the world begins to unfold around them. It’s currently available in ebook and audiobook (no paper, I’m afraid).

Dead Moon is also about someone running away from their past—a young woman named Cali Washington. And Cali runs all the way to the Moon, where she works as a cemetery caretaker… until the dead start to rise, anyway. Zombies on the moon. Can’t beat that. This one’s also available in ebook and audiobook format.

Paradox Bound is the history-traveling tale of Harry and Eli as they keep bumping into each other and finally start traveling together as part of a fantastic treasure hunt through American history. This is probably one of the most positive, hopeful books I’ve every written, and I’m still ridiculously proud of it. It’s available in pretty much every format you can imagine, and there may even be a few hardcovers kicking around if you check your localbookstores.

The Fold is still a favorite, the story of how Mike, a man with some extraordinary gifts he really doesn’t want, gets dragged into evaluating a government teleportation experiment which goes… well, guess. It’s available in many formats, in many places. Check out your local bookstore and see what they’ve got.

The Ex-Heroes books are the superheroes vs. zombies series that began my career. The ongoing adventures of St. George, Stealth, Zzzap, Cerberus, Captain Freedom, The Driver, The Corpse Girl, and more. Ex-Heroes, Ex-Patriots, Ex-Communication, Ex-Purgatory, Ex-Isle. Available in any format you want, in numerous languages.

14 is my creepy-mystery-cosmic horror-thriller. The book I never thought anyone would like that somehow launched my career up to the next level. If you’re a fan of mine and somehow haven’t read it, all I can tell you is it’s about a guy who moves into an old apartment building in LA and starts to notice some strange things. This one’s currently in audio and ebook formats, but there may still be paperbacks lurking out there somewhere in the world.

The Eerie Adventures of the Lycanthrope Robinson Crusoe – is my attempt at a “serious” mashup novel, rather than just being kind of, y’know, goofy (not that there’s anything wrong with that). I tried to clean it up a lot, but it still hews fairly close to the original, stylistically—consider that a warning some of you might deal better with the audiobook. This one’s currently in audio and ebook formats, but again—your local bookstore might have one of the last wave of paperbacks from a few years ago.

The Junkie Quatrain is a sort of novella/ mini-collection of four intertwining short stories. If you picked up Ex-Patriots as an ebook back in the day, you probably got one of the stories. This is basically Rashomon meets 28 Days Later and its one of those odd little things I’m still very proud of. You can find it on audio or ebook.

Dead Men Can’t Complain is a collection of assorted short stories I’ve written over the past dozen years or so for various anthologies and journals, plus a few extras. There’s zombies, time travel, lizard men, an overprotective ghoul, a noir detective, a lot of creepiness, and maybe a few laughs. At the moment this is only on Audible (and the narrators are amazing), although I’m looking into putting it out as an ebook under my Kavach Press line.

And that’s pretty much everything I’ve ever written. Most of what’s out there anyway. Maybe there’s something you didn’t know about to add to your wish list, or something you really liked that you think somebody you know might like too.

Also, since it’s Black Friday, I’ll also take this moment to remind you of my standard Black Friday deal for those of you who need it. And please—if you need it, don’t hesitate to ask. I’ve been there and I wish someone had offered something like this to me.

Also-also…I’d like to remind you of the other gift you can give authors. Purchases are fantastic, but the next-best thing is reviews. If you enjoyed one of my books, please feel free to throw a few stars and kind words at your favorite online review aggregator of choice. It’d thrill me to no end (and on multiple levels) to look and see a hundred new reviews on Paradox Bound. This kind of things makes books much more visible and helps more people find them. And it’s not just me—all authors feel this way. If you want to spread some joy among your favorite writers, spend an hour some night writing up seven or eight reviews for books you like.

Anyways… That’s Black Friday. I now return you to your post-feasting day of numbness. Be safe. Wear your mask. 

And go write.
September 29, 2020 / 2 Comments

Book Smart

A question I tend to get a lot is “when will X be available in paperback?” It comes up so often it’s in the FAQ. But, in all fairness, I’ve kinda brushed over the answer past saying “not in the foreseeable future.” Because the full answer’s big and unwieldy and some folks always want to complain about format. So it’s easier to just say “not in the foreseeable future.”

And I get why this is probably confusing to some people. Aren’t we living in a golden age of self publishing? It’s easier than ever, right? If nobody else is going to put these books out, why don’t I just do it myself?

Since I’m kind of at a key point right now—with Terminus just out in ebook a few weeks ago, The Eerie Adventures of the Lycanthrope Robinson Crusoe coming back in just a few weeks—I thought it might be a good time to finally explain why there aren’t physical editions for any of these.

Although… okay, thinking about it, this may need a bit more explanation. Which could be kind of dry and boring. Let’s try it like this…

Why didn’t you just put out these books ages ago?

All of the books I’ve been releasing under the Kavach Press banner originally started with traditional publishers, so I didn’t have the rights to put out anything. Crusoe and -14- both started at Permuted Press. Dead Moon and Terminus had exclusive deals with Audible (explained, again, in the FAQ). Now that they’re back in my hands, I’m putting them out as I’m able.

But how did you get the rights away from the publishers?

Well, in all of these cases it was just written into the contract. In the case of Permuted, it was just X number of years go by and all the rights revert back to me. In the case of Audible, they only had the audiobook rights, but part of the contract guaranteed they’d get to be the exclusive distributor of the book for six months, and then I’d be free to do what I wanted with the other rights (ebook rights, paperback rights, foreign rights, and so on)

No, I heard publishers never do anything fair. How’d you really do it?

That was it. Really. It’s not that unusual a thing to have reversion clauses in book contracts.

I think the disbelief here comes from two issues. One is that some folks take their specific, unique interaction with a specific publisher and then extrapolate that this is what it’s like for all authors with allbooks at all publishers. And like most things on the internet, the worst-case scenario is the one most people point at.

Second (somewhat related to the first) is for a while there were a few folks who built up a nice little industry around the idea of hating/fearing traditional publishers. They’d point to all those worst-case scenario contracts, yell about gatekeepers, and hey if you want to see what those idiot dinosaurs turned down you should check out my book for just $2.99! Oh no, there are caravans of traditional publishers coming and we have to build a wall to keep them out! But don’t worry—the Big Five will pay for the wall!

Am I saying all publishers are noble and true and care about nothing but the art? No, of course not. They’re running a business, and the business aspects of deals are always going to be important to them . But reversion contracts are still normal. Any decent agent will insist on them. Any decent publisher won’t have a problem with them.

Okay, but now you can just self publish them all, right?
Well, yes and no. I can legally, yes, but as I’ve mentioned to folks a few times, the often-ignored part of self-publishing is it means I’m the publisher. I’m in charge of cover art, layouts, blurbs, marketing, publicity, all of it. And I just… I don’t want to do any of this. I think it’s fantastic that some people can do this. I’ve got a lot of friends who do. But it’s not for me. I’m a writer, not a publisher.

So I’m putting the ebooks out. With some help from some friends and a bit of money for covers. And that’s pretty much it. Because I want to spend my time writing, not publishing.

Well if that’s the case why didn’t you just stay with the original publishers?

As far as Dead Moon and Terminus go, the original publisher doesn’t do ebooks or print books. And, again, they were never going to. In that case it’s less “the rights reverted” and more “the rights freed up.”

As for Permuted… without going into too many specifics, I ended up having some issues with both publishers (the company was sold a few years back, so I’m talking about the original and the new owners) and the new directions they took Permuted. Long story very short, I wasn’t comfortable doing business with them. When I got the chance to get my rights back, I took it.

Fair enough. But self-publishing on Amazon is so easy! Why not just have them make paperbacks?
It’s easy to do, yeah. It’s not easy to do it well. Kindle books are easy because there’s a basic, minimum amount of formatting—most of it’s adjusted by the individual reader on their chosen reading device. Print books, however, need everything locked down. Page layout. Chapter breaks. Blank pages. Paper choices, Spine layout. Again, much more publishing-work, not writing-work. Plus, as I’ve mentioned before, there’s an inherent cost to these books. It’s harder to make money, which makes them harder to justify.

Well, they’re hard to justify for a couple reasons.

Which means…?
Look, Amazon is a huge part of the ebook market. Depending on who you ask, anywhere from 2/3 to 3/4 of it. It’s difficult to do anything with ebooks even semi-successfully without using Amazon.

That’s not true of paperbacks, though. We have lots and lots of paperback distributors all across the world—bookstores. And I happen to like bookstores. A lot. So I’m not going to compete with them by putting out paperbacks that are only available on Amazon. I’d rather take that hit and just not have physical books.

Aren’t bookstores dying anyway, though?
Actually, indie bookstores were doing fairly well, overall, before the pandemic. Even with the pandemic, a lot of them are still doing well (check out two of my favorites, Dark Delicacies and Mysterious Galaxy). It just comes down to the whole shopping locally thing. Do you want to put money into your community or into a corporation with a multibillionaire owner?

Yeah, these days it’s a tough call for all of us. It’s about how much money we have to spend and how much we want to make. But we all need to make that choice and do what we feel is right.

But what about all the money you’re missing out on?
In all fairness, it’s probably a small hit, and it’s more likely to cause fan ripples than financial ones. As I’ve mentioned before (quick, back to the FAQ) I tend to make most of my money in audio format anyway, and when you add in the extra expense behind a paperback copy, in the end I’d make very little money to please a few fans and annoy a lot of booksellers.

So, yes, I’m kinda like that guy offering to give up caviar for Lent or something like that (never been 100% clear how Lent works).

But what am I supposed to do? I hate audiobooks and ebooks! I want something for my shelf!

I am very sorry for that. I don’t like alienating fans, but sometimes this is just how things go on the business side of it. I know the Audible deal annoyed some folks, but it made a lot of other folks very happy. I think overall it made most people happy because Dead Moon and Terminus wouldn’t’ve been written if not for that deal. There’s always a chance that somewhere down the road some things will change and some (or all) of these books will be available in physical form. Maybe paperback, maybe even hardcover. But I’m afraid for now…

It’s not in the foreseeable future.

July 7, 2020 / 3 Comments

FAQ XV–Questions of the Plague Months

Normally I try to update the FAQ every six months or so. Partly for you, partly for me. To be honest, it’s tough for me to keep track of all the stuff going on (and potentially going on) as far as sales, releases, formats, options, and adaptations. Even more so when you figure these past few months time has become less of an absolute, often slowing to a crawl and stretching on and on and on when in fact it’s only Wednesday.
And, well, that particular effect has really intensified, hasn’t it? With the global pandemic and possibly months at home, not to mention the looming threat of murder hornets, I think a lot of us have either completely lost track of time or become all-too-painfully aware of it. I know I spent pretty much all of March and maybe the first week of April doomsurfing. Like, all the time. I didn’t mean to, or really want to, but that’s how every day ended up going.

But even with all that, I figured it might be worth doing a quick catch-up. I mean, I think we’d all enjoy something happening pretty much how and when it’s supposed to, right? Something working the way it’s supposed to? Novel idea, right?

So here’s me scribbling up answers to some of the most common questions I’ve gotten lately. Then when people ask me those questions (again!)—or when their teacher says “hey, hunt down an author on social media and ask them a bunch of questions”—I can say “hey, check out the FAQ I’ve pinned all over the place!”
Or maybe I won’t say it, cause at this point… I mean, there’s a current FAQ pinned right at the top of the page, several older versions of it, this blog, and several dozen interviews floating around the web. Plus I wrote a bunch of books, and it’s kind of amazing how often the answers are in the books.

Do your research, people! Be the mad scientist you always wanted to be when you were little!

1) When are we going to see something new?
If all goes well, the ebook for Terminus should be out just in time for San Diego Comic Con. Hahahaaaaaaaaa… sad laugh. More on that below.

Terminus should hopefully be out as an ebook by the end of July, barring any weirdness. I’m also looking at bringing one or two other things (at least) to ebook that have been kinda out of wider circulation for a bit. I’d hoped to have them done about… well, now, but then, again, everything kinda collapsed and time ceased to have meaning.

Past that… I’m just finishing up a book that kinda came out of nowhere, fortunately at a time when I could devote a lot of attention to it. It probably would’ve gone faster, but… again,  doomsurfing. As you’re reading this, odds are my agent’s reading that.

And I’ve got a big idea I might be pitching him. Like, silly-wildly big. Maybe we’ll be talking more about that in another six or seven months.

2) So, wait, no paper version of Terminus?
No. There’s a couple of different reasons for it, and they involve assorted business and PR things I’d rather not get into (okay, fine, I’ll get into it). There’s still a chance both books may still become available if there’s a big demand for them (feel free to tell Crown Publishing you want to read them in print and would buy half a dozen copies), but for the moment Terminus (and Dead Moon) are only going to be ebook and audio. Sorry.

3) Could you explain the whole “Threshold” series?
Threshold is the umbrella label for the shared “cosmic horror” universe I unknowingly began eight years ago with 14. There are some books that form a more linear story, a “series” if you will, and some that stand alone. A lot of Marvel movies are part of the direct Avengers through-line, but some—like Guardians of the Galaxy Volume 2 or Thor: Ragnarok—are just set in the MCU. You can enjoy them without knowing a lot of the other movies (you’ll just catch a few more nods and references). Make sense?
And, yeah, this can make things a bit awkward sometimes. I know at points the marketing/publicity campaigns were pushing Thresholdas a pure, straightforward series (Book One, Book Two, etc), even though I’ve said many times that it isn’t, and I know a few readers went into some books with very different expectations. I apologize if that was you.
4) So how does Dead Moon fit into the Threshold series?
As it happens, I wrote a whole book explaining this called Dead Moon.  Also check out #3 up above.
5) Why did you do all these “Audible exclusives” ?
Well, first off, I did two. Arguably four, since they offered to release some previously-published, out-of-print stuff nobody was interested in anymore—The Eerie Adventures of the Lycanthrope Robinson Crusoe and a bunch of short stories we combined into Dead Men Can’t Complain, but really those aren’t even exclusives.
Second, there’s a very solid argument to be made that the majority of my fanbase is audiobook listeners. Audible knows this, too, and so when they heard about Dead Moon and Terminus they made me an extremely generous offer for exclusive rights, meaning both of them would be audiobook only for the first six months they were out and then I’d be free to do what I want with them.
Yes, I know it made some of you grind your teeth. I’m sorry if you’re not an audiobook listener (for whatever reason) and it left you out of the loop for a bit. My agent and I talked a lot about the pros and cons of doing things this way. In the end, I really wanted to tell these stories and this was the best way to do it. Again, I’m sorry if it put you in a bad spot.

6) Do you make more money if I buy one of your books in a certain format?

I know this sounds like an easy question, but there’s about a dozen conditionals to any answer I give.  Figure a huge chunk of each contract is just all the different terms and conditions for when and if and how people get paid.

For example… format matters, sure, but so does whereyou bought the book.  And when.  And how many people bought it before you. And if it was on sale. And who was actually holding the sale.  And all of this changes in every contract.  What’s true for, say, Paradox Bound may not be true for Terminus.
TL;DR—just buy the format you like.
7) Do you have any plans to attend ########-Con?
Hahhahahaaaaa remember when this was a serious question?

Okay, in all fairness, I’m doing a lot of virtual-con stuff. I was “at” WonderConand as I write this I’m about to do some things with Denver Pop Culture Con, plus I’m doing one or two things for SDCC in a couple of weeks. Also worth noting that I’ve tried to take the Writers Coffeehouse virtual, so for the next few months you can try to find me there.

After that, well… hopefully next year will be a bit closer to what we think of as normal? Maybe? If you want to see me at your local con, let them know. Email them, tweet them, post on their Instagram account. Reach out and let your voice be heard.
8) When are you going to make a movie/ TV series/ graphic novel/ video game of your books?
So, when people ask this, there’s a basic misunderstanding of how Hollywood works.  I have pretty much zero influence on Netflix making a Threshold series or the Hallmark Channel doing a Lycanthrope Robinson Crusoe movie. When we see a film adaptation or TV series, it means the studio went to the writer, not the other way around. I mean, if it was just about writers saying “hey, make this into a movie,” wouldn’t most books be adapted by now? Everybody’d be doing it.  

9) Well, is there anything we can do to help?
Buying books is the best step. Talking about them is a close second. Hollywood likes to see big sales numbers and interest.  Producers/ directors/ actors all hear about this stuff the same way you do—online reviews, bestseller lists, social media. If #ParadoxBound or #Terminusstart trending on Twitter tomorrow, there’ll probably be a film deal within a week. Seriously. Try it.

One easy thing to help with this?  Don’t buy books from Amazon if you don’t absolutely have to. Write reviews there, sure, but Amazon sales figures don’t always get included in  bestsellers lists. Yeah, buying or pre-ordering from your local bookstore might cost a buck or two more, but it’s a purchase Hollywood’s much more likely to notice in the long run. Plus, now you’re one of those cool people supporting local businesses—and we need more people like that right now.
10) But wait… I heard you don’t like people talking about your books. Which is it?
I’m thrilled and amazed people talk about anything I wrote. Seriously. What I can’t stand are people who blurt out spoilers that can ruin the impact of these stories for other people. It’s why I avoid those questions in interviews, ignore them on Twitter, and why—where I can—I delete (or block) posts that reveal things from a book.
And not just my stories! You shouldn’t mess up other stories, either. Movies, TV—I’m just saying, if you enjoyed it spoiler-free, why not try to give other people a chance to enjoy it the same way? I still haven’t watched the finales of She-Ra or Game of Thrones, dammit! I’m looking forward to finally seeing Arya on the Iron Throne!
11) Is Ex-Isle the last Ex book?
Yeah, Ex-Tension is staying on that back burner for the moment.  Sorry.

The truth is, every series has a limited life. Book one always sells best, not as many people show up for book two, even less show up for book three, and so on. Not a lot of folks leap in on book five, y’know? Something could always happen to give the first book a boost (and all the other books after it) but they’re still all going to be on a near-constant downward slope heading for that big red line where things aren’t profitable. None of the Ex-Heroes books ever lost money (thank you all for that), but they were on that slope and when the publisher looked ahead to book six… well, hitting said line was pretty much unavoidable.
12) Have you considered a Kickstarter or a GoFundme?
Yeah, the answer’s still no, sorry. I love these books. I had tons of fun writing them. I’m still amazed there are so many fans who feel so passionately about them. But the math is pretty simple—if enough people were willing to pay for another book, the publisher would be willing to put out another book. And all the numbers say that’s just not the case.

Yeah, I know some of you might be willing to pay twice as much (or more) to see one more book, but I think we can all agree there’s at least as many people (probably more) who wouldn’t pay anything. And that’s the math again—it just doesn’t work out for this.

Another point to consider. I’ve already got a good idea what I’m working on… probably for the next two years at this point (that big idea I mentioned up top). Maybe even a little farther. But if I do a crowdfunded project, it means I have to schedule things under the assumption it’s going to succeed. Which means telling my publishers those other projects need to be put off and scheduled accordingly. Which leaves a six or seven month hole in my schedule when the Kickstarter flops. Which, again, all the math says is what’ll happen.

So again, no. Sorry.
13) Will you read my story and tell me what you think?
Short answer… no. 

Long answer… look, if I say yes to some folks, in the spirit of fairness I have to say yes to everyone. Now I’m spending most of my time reading and doing critiques instead of writing.  I don’t mean to sound mercenary, but… writing is how I pay my mortgage. So when someone asks me to read stuff, they’re asking me to give up a few hours of work. Plus, I do have this ranty writing blog sitting right, y’know, here with over a decade of advice and tips.

Also… some folks are lawsuit-crazy, and the bad ones ruin it for everyone else. Somebody shows me a piece of bland, generic fanfic and a few years from now they sue me for stealing their ideas. Yeah, I know how stupid that sounds, but I’ve actually been subpoenaed and deposed for lawsuits with less behind them than that. It’s why I’m verrrry leery when I get a long message along the lines of “You know what you should really do next with the people from 14…”  Heck, some writers respond with cease & desist orders when they get sent stuff like this.  

So the long answer also boils down to “no.” And if you send stuff without asking, I’ll delete it unread, just like spam mail.

14) What’s up with your Facebook page?
Ahhhhh, Facebook. Where we’re the consumer and the product. Just like Soylent Green.
Sad fact is, Facebook made it pretty much pointless for me to have a fan page there.  They altered their algorithms over the years and my posts gradually went from 70-85% engagement to barely scraping 10-15% most of the time. All so I’d pay to reach people who were already following me. And I won’t do for a few reasons, the main one being folks pretty solidly proved years ago that paying for views on Facebook actually decreases your reach. Seriously.
And, sure–it’s their site. They can run it however they like. And yeah they absolutely deserve to make money off it. I’m a progressive, but I still believe in (regulated) capitalism.
But then there’s all of Facebook’s side ventures. Collecting countless amounts of personal data. Deliberately spreading misinformation. Malicious social engineering. If you think I’m exaggerating, look up articles about how Facebook shaped perceptions or spread propaganda in Myanmaror Sri Lanka. And these aren’t fringe articles—they’re from major news sites.
So, yeah,  I deleted my Facebook account months ago (long overdue), which means the fan page there is cut loose with no administrator.
15) What about Twitter or Instagram?
I’m @PeterClines on both.  Fair warning–as some of you may have figured out, I’m progressive and I’m a bit more political on Twitter. Most Saturdays I also drink and live-tweet bad B-movies while building little toy soldiers so…  look, don’t say you didn’t know what you were getting into.
Instagram is probably the geekier of  my social medias.  How is that possible, you ask?  Well, there’s more little toy soldiers, LEGO, classic toys.  And cats.  Can’t have an Instagram account without cats. Sometimes these things mix.
Yeah, I know Instagram’s also owned by Facebook, but (for the moment) they’re not being quite so reprehensible over there.  So (also for the moment) I’ll still be there.

And I think that should answer about 90% of your questions, yes…?

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