Category: Charish

(which I should’ve posted last week, but wow, so much stuff going on–more on that next time)

And here we are, halfway through the month again. I know it sounds a bit odd, but even just doing this once a month I’m a little worried some of you are feeling spammed. I know this newsletter is just bare-bones updates, and padded ones at that, but I’m trying hard not to make this content for the sake of content, if that makes sense? Let me know if you think this is coming too often for what you’re actually getting out of it..

This may also be some sort of gut/defensive reaction. Some folks manage to put out one or two newsletters a week. It sometimes makes me feel like I’m not writing fast enough. Or not enough happens in my life worth talking about. Or maybe the ever popular “why not both.”

Anyway… let’s get to it.

I finished up the last tweaks on GJD just the other day. Many thanks to Stephen, Kristi, Rob, Autumn, Robyn, and Colleen for early thoughts and notes. Final word count, after this quasi-final round of edits and rewrites, was just shy of 168K.

As you’re reading this, it’s very likely my agent is kicking back with his copy of said manuscript. We talked about it a while back and he’s seen my early outline, but other than that it’s all new for him. In a perfect world, he has minimal thoughts or comments and maybe he’ll be shopping it around before the end of summer.

Meanwhile, I’m finally going to get to that short story I’ve mentioned once or thrice which is now pushing up against a deadline (sorry, Henry!!). And then back to TOS, the other project I’ve mentioned before. My big hope is I can get the first draft of TOS done by the end of July which… isn’t impossible? I’ve got a solid outline, but it’s a story that lends itself to a sort of rambly, campfire-tale sort of tone. In the best possible way. So I guess we’ll see how that goes.

Also probably worth mentioning… okay, because of my time working in Hollywood (and then my time reporting on Hollywood) I’m very aware of what different terms mean and I know how rare it is for things to move forward. It’s why I don’t talk about any of it much unless I know there’s actually something to talk about. I’ve had maybe half a dozen film options at this point. None of them went anywhere. You heard about some of them after the fact.

I bring this up because there’s currently an option out there and, because of the WGA strike (which I support 110%), the producers have exercised certain clauses in the contract that allow them to stop the clock, so to speak. See, options have built in time limits. Think of them like a one-year rental contract. When the year’s up, that’s it. You don’t get to say “well, I went on vacation for two weeks, so I shouldn’t have to pay rent for those weeks I wasn’t living there.” These folks are very interested in what they’ve got (and so am I) so they’re putting everything on hold and will restart that clock once they can, y’know, hire some screenwriters again.

What is it? Who are these mysterious “producers” of which I speak? Like I said above… I’d like to wait until I can tell you something really solid. For now, you’ve absolutely heard of the producer/ director/ studio and you’ll probably be happy about what they’re trying to adapt.

Once the WGA strike is over.

Anyway…

Cool Stuff I’ve Been Watching— A lot of movies. Into The Spider-Verse was simply magnificent, as was Guardians of the Galaxy vol. 3. I held off sending this out just so I can say, honestly, that the second season of Strange New Worlds is off to a friggin’ fantastic start.

Cool Stuff I’ve Been Reading— Walking the Dusk by Mike Robinson, Lower Decks by Ryan North and Chris Fenoglio.

Cool New Toys – My wonderful partner gave me a Grimlock and the Deluxe “Buff Groot” figure for my birthday, and my best friend gave me Adam Warlock. That gives me a full set of Guardians. Also got a small pile of Spider-Verse figures. Now I just need to figure out how to display them all…

I wanted to take a minute or two to talk about a certain type of talking.

We all have our own unique voice based on where we grew up or maybe where we ended up. It’s partly accent, partly regional vocabulary. I think we’ve talked about the whole pop vs. soda vs. cola thing before, right? Plus some of you weirdos who just call everything a coke. But there are tons of little things like that. For example, does your street have a parkway, a common, an easement, or a road strip?

Everyone has their own personal vocabulary, and their own preferred words. It’s a way we can identify people (and characters). And it’s a way we can learn a little more about them.

For example… I grew up in New England (mostly Maine, but a fair amount of time in Massachusetts), and I’ve been told my accent really comes out on certain words (like drawer). Plus my particular part of Mainehas a unique term for tourists—goatropers—that my tongue still tries to fling out now and then. But at this point I’ve now spent (wow) half my life in southern California, so I’ve also picked up the odd habit of using “the” with freeway and highway numbers. And I started calling that strip of land the devil strip, just because I saw it explained that way once and fell in love with it. And my partner and I’ve been watching a lot of British gardening shows lately, so I’m pretty sure we’re using a lot of their terminology now.

And that last bit is what I wanted to talk about.

I’m betting most of you have had a job at some point with its own special vocabulary. Certain terms and phrases unique to that business. Sometimes they refer to specialized equipment, other times to certain practices or methods. If you were in retail, I bet you had to deal with a lot of terms that came down from some corporate desk, right?

And that’s another aspect of this. At that job, there were probably all the “correct” terms and phrases and names to use… and then there were the ones that actually got used on the job. I’m sure you know what I’m talking about. There’s the way we get told it works, the way the people up top say it works… and there’s the way everybody down on the ground floor actually does it.

For example, again… most of you know I worked in the film industry for several years (a good chunk of that “half my life in Southern California” time). The film industry has a lot of special equipment and does a lot of things other jobs don’t, so it stands to reason there are a lot of special terms that get used. But… the terms that get used on a film set very often aren’t the ones that get taught at film school. Again and again I’d meet people who “knew” the industry, but were baffled by the actual terms used by the crew. Terms like needing a stinger, turning around, the abby singer, or the martini. And sometimes, yeah, it’s annoying but that martini gets an olive.

But it’s not like the film industry’s that rare. The military has a lot of their own terminology, and a lot of jargon that gets used in place of that terminology. So does the medical community. I’ve talked with my scientist-turned-urban-fantasy-author friend Kristi Charish numerous times about the language and phrases used in a lab. I have a bunch of friends in the game industry who’ve let jargon slide out now and then. I worked at a Walgreens through most of high school, a suit store for a year after college, and a few theaters in San Diego when I first moved to California. And all of these places had their own way of talking and referring to things. Even the samethings.

Weird as it may sound, this is why I like having beta readers with different backgrounds than me. And why I like talking with people who work in all sorts  of fields. Because so often they’ll tell me “this isn’t how Wakko would say this,” or “Dot would probably call this a…”

It’s also why I love talking to people in person (or these days, on Zoom) when I’m asking them questions about things. A lot of the time when they’re speaking (rather than writing it out), they’ll fall back on that jargon first because it’s the natural way they speak about things. And that’s what I want to know—how would my characters naturally talk about these topics. What parts of their work vocabulary leak into their day-to-day conversations?

Of course, this is all just for flavor. I don’t want to bury my dialogue in jargon for the same reason I probably don’t want to write out an extreme accent—I don’t want my readers to get lost or confused in the dialogue. Believe me, back when I was in the film industry, I brought many Thanksgiving dinners to a dead halt as I tried to explain “things that happened at work” to my family. Because these were casual, everyday terms for me, but they had noidea what I was talking about.

I want my readers to be able to flow past odd spellings or to figure out unusual terms from context. And I want the readers who know this jargon to see that I’ve done my research, for them to feel instantly familiar with the characters they should be identifying with the most. Again, just that dash of flavor that makes something perfect.

So learn those odd terms and casual phrases. Make characters talk like the people they’re supposed to be, in the jobs they’re supposed to have. Because it’ll grab your readers and pull them deeper into the story.

And personally, I like it when my writing pulls readers deeper into the story.

Next time, I thought I might go back over a few basics.

Until then, go write.