August 11, 2023 / 1 Comment

The Spot X Used to Mark

I don’t like to talk about non-writing related things here on the ranty writing blog. In the sense of I like talking about writing (the art) as opposed to writing (the career). It’s why I rarely talk about publishing, marketing, agents, publicity, any of those after-issues. I’m a big believer that there’s not much point in me worrying about any of the career stuff until I’ve actually done the art stuff. Like I talked about a few weeks back, if you’re here, you’re 100% interested in the art, but not necessarily in the career.

But these are interesting times, and as I find myself navigating a path through them, I figured I might as well drop a bird crumb or three. Or beat the whole loaf into crumbs and just dump it out here. We’ll see which one turns out to be the better approach…

In case you missed it, the human embodiment of the Dunning-Krueger Effect spent an ungodly amount of money to buy a company he had absolutely no idea how to run. What followed next was kind of like a car crash I was once in. Another car slammed us into the side of the freeway, our car kind of bounced off the concrete wall, but momentum and a jammed steering wheel guided us back into side of the freeway again, where we bounced off again, slammed into the wall again, and continued doing this for maybe a full minute/ three or four impacts before the car finally came to rest a few hundred yards down the freeway. And no, the other driver never stopped, just shot off down the 405, looking for another car crash to cause.

So that’s what Twitter’s been like for the past couple of months.

Really, even before the Muskrat, things weren’t looking great. In general, the social media landscape’s been looking more and more like some bombed out no-man’s land during World War One. Algorithms have made sites less and less usable, while a complete lack of algorithms have made other sites less appealing. At this point, the only thing social media shows you is ads and the only thing you can easily find is outrage.

Where does this leave us all now?

Not in a great place.

I’m hardly the first to say it, but I think the age of social media may be over. It’s crumbling fast, at the very least. Yeah, there are a few places that have tried to step up and fill the gap, but none of them are moving at a good speed, either in growth or management. Bluesky’s probably my favorite right now, but it’s still got huge issues. Plus, if they shift to the federated idea, I think that pretty much kills them right there.

Yeah, federation’s just weird. It feels like a buzzword too many techbros are leaping at, even though it pretty much boils down to “social media, but with less reach.” It also feels a lot like “look, we invented subreddits!”

Anyway…

Hopefully it’s clear this really sucks for artists of all types. For a while now publishers (of all types) have kind of been leaning on artists to get their own message out. After all, through social media we can reach everyone pretty much everywhere, right? So… reach! New book coming out, book signing this weekend, anthology story in November, con appearance next month!

BUT… we all hate it when artists just say “buy my stuff” again and again. And most artists hate doing it. That’s why we’re usually just trying to… well, be ourselves. Show you other stuff we’re interested in. Movies, cooking, photography, LEGO, exercise, toys, pets, whatever. I think most people appreciate that honesty, even if it’s not something they might not be interested in themselves.

(like, for example. two writers I know from the fleshworld talk a lot on social media about Magic the Gathering, a game I know absolutely nothing about past “you play it with cards.” But I love their passion for it. It doesn’t matter that I’ve got no clue about it– I can enjoy their love of it)

Worth noting—I’ve never heard of an author not getting a deal because of a small social media following. I don’t think any publisher’s ever said “Wow, it’s the most amazing thing I’ve read this year and we think we can easily move 100K copies BUT you’ve only got 200 followers on Twitter. So sorry. Please try again later.”

I have, however, heard more than a few stories where blame for a book’s failure is quiiiiiiietly shifted to the author. They should’ve promoted more. They should’ve talked about it more. Clearly their fault. Nothing we could’ve done that would’ve changed things.

And the key thing here is it’s been shown time and time and time again that big social media numbers really don’t, in any way, translate to sales. There are famous examples of people with millions of followers who can’t even sell 500 copies of a book. I mentioned a while back how Nathan-freakin’-Fillion tweeted how much he liked the first two Ex-Heroes books and it barely bumped the needle on sales.

So all of this should be inconsequential! Social media collapsing really shouldn’t be the giant source of stress that it is for so many creative folks. But we keep doing it because… everyone expects us to. And we all have this nagging worry that if we don’t do it maybe sales will go down. Maybe my feeble attempts at keeping your attention really are where a third of my sales come from. Which would be sad on numerous levels. For all of us.

Plus… I made a joke about this a while back and Chuck Wendig actually just did a whole post about it over on his site. Most artists are exhausted by all of this. This whole collapse and trying to find a new place and… all of it. Seriously. I mean, we need to use social media—to some extent—as a business tool. So imagine having to move your whole office to another building. The office you’d spent years getting settled into and arranging, where everyone knew where you were and all your clients and associates knew right where to find you. But now you have to move.

So you pack everything up, move it all, get everything unboxed, start moving it all around, figuring where everything’s going to go, you give everyone your new phone number and new address and WHOA hang on, turns out this place has a ton of security issues. Sooooo pack it all up again, move again, get it all unboxed again, give everyone your new-new phone number and address and HOLY CRAP this new place is also owned by a narcissistic billionaire? Okay… pack it all up again, find another place, set it all up again…

And of course, every time you do this you lose something. A few photos. A little memory. There’s one or two people you forget to tell you’re moving. Five or six people who just can’t find that new address. Another five or six who refuse to drive to that part of town.

Again, that’s what the past few months have been like for most artists. Exhausting.

Which leads us to… what can we do?

Well, first off, a lot of it’s going to depend on you and what you can tolerate. What you want to be part of. What you want to support.

Past that…

I think, personally, if you like an author, an artist, a franchise, a toyline, whatever… you should probably bookmark their site now. Not their Twitter page or Instagram account—their site. Every writer and artist I know is trying to let everyone know where they’re going, but there are so many barriers in the way. We’re all scattering and some people are going to get lost. So ignore all the random platforms and just go straight to their little corner of the web. I guarantee you they’ve got something out there, even if it’s just 83% placeholder. So bookmark it, try to check it now and then. Like in the olden times, when the internet was just stone tablets that we threw at each other.

If said artist tells you they’re going somewhere… try to follow them. I screenshotted so many Bluesky addresses before I got an invite. All those folks saying “find me over here.” And when I finally got a code… I found as many of them as I could. Newsletters? Probably not a bad idea to sign up for those, too, if that’s your thing. Do you need a Bluesky invite? Seriously, I’ll just drop codes here if it helps people get away from Twitter. Because none of us can depend on it anymore. For anything.

I don’t know. This is feeling rambly. I have so many thoughts, and I’m also worried nobody’s ever going to read them. Because social media’s collapsed and I have no way to tell you I’ve put up a new post here on the ranty writing blog.

I guess we’ll all just have to see what happens.

Next time, I think I’d like to talk about how little time it took Usain Bolt to win an Olympic gold medal. Unless you’d like to talk about something else? Feel free to leave any thoughts, suggestions, or comments down below

And until then… go write.

April 20, 2021 / 3 Comments

A Social Media Question

 Hey, remember when I said if you post questions in the comments I’d try to answer them?

Well, last week, Tantilloon asked,..

“Do you think it’s still possible to get a book published without any social media presence? Asking because I finished a manuscript. I’m just opposed to social media in general, so I’m sort of wondering if my book is DOA just because the idea of using something like Facebook is a deal breaker.”

Not word for word, but that was the thrust of their question. And questions get answers!

Okay, I’ve seen variations of this floating around the interwebs for a few years now, and it’s come up once or thrice at the Writers Coffeehouse. Y’know, back in the before-time. When we all met in person.

I’m getting my second shot next week. How about you?

Anyway…

This isn’t an easy yes or no question, but I’ll try my best. As always, this is based off my own experience, but I’m also considering what I know/have seen from other authors, things I’ve bounced off a few agents I know (including my own), and talking with some editors.

First, the answer depends a lot on if we’re talking about fiction or non-fiction. Overall, it definitely helps a non-fictionbook if I’ve got a good-sized social media presence. Simple reason why—if I’m writing a non-fiction book, the implication is I’m an expert in some field, and a strong social media following shows that people are interested in my expertise. Yes, it’s possible people are just following me because they’re interested in my novels even though I’m an expert in all behind-the-scenes, non-fiction things related to Rom Spaceknight, but the overall assumption is still going to be that a strong social media presence is a very big plus for a non-fiction book.

So a big following on Facebook, Twitter, Instagram, TikTok, or… I don’t know, is Tumblr even still a thing? A big social media following isn’t strictly necessary for a non-fiction book, but it’s definitely going to help if I’ve got one. And what counts as “big” is going to depend a lot on how niche my book is. If I’m writing a political book intended to reach half the country, I probably want a larger following than if I’ve written a book on, say, the psychology of Rom embodying the sci-fi trope of paranoia vs. trust.

If we’re talking about fiction, this is kind of flipped. Most agents and editors neither require nor expect a big social media following. They don’t. Honest. Because, realistically… why would I have one? I mean, sure, I’ve got family and friends, and maybe a dozen or so people follow me for my insightful takes on Rom, but that’s still only going to add up to what… fifty or sixty people? Those publishing folks are aware that one aspect of being an unknown author is being, well, unknown. Seriously, think about it. If I’m not a known entity, why would I possibly have an online following of a size that could notably affect book sales?

Plus, sad truth is… social media doesn’t sell a lot of books. Either partaking in it or advertising on it. It sells one or two, sure, and it lets the fans I already have know I’ve got a book coming out. But let’s be honest—you and I both get hit with promoted tweets and Facebook adsevery day. Well, okay, I deleted my Facebook account over a year ago. Instagram ads, then. Point is… we ignore them most of the time, don’t we? And we ignore that guy who’s always going “Hey, buy my book! Buy my book! Buy MYbook! Buy my BOOK! HEY! MY BOOK! BUY IT!”

It’s just not what most of us are on social media for, and publishers know this. Because they’re people too. And their business is selling books.

True story—almost exactly ten years ago Nathan Fillion tweeted a few times how much he loved the Ex-Heroes books. Seriously, he did. I think he had a little under two million followers at the time. So let’s just say a million people saw him say how much he loved the books. One million potential readers.

We barely saw a ripple in sales. The book sold a little more that quarter, but it was selling a little more every quarter. Even with a million sets of eyes, there wasn’t a big spike we could call “the Fillion Effect” or anything like that.

Now, in all fairness—a publisher usually wouldn’t be upset if I did have a few hundred thousand followers and I liked hanging out on social media. It does make getting the word out there a bit easier. But again, it’s not going to affect if they pick up my book or not, because it’s not really going to sell a lot of books.

And if it does affect how a publisher’s looking at my book… that’s a little bit of a red flag, in my opinion. If they’re that concerned with my social media, it might be a sign they’re expecting me to do all the marketing and publicity. And since social media doesn’t sell books (see above), that’s not really a winning strategy.

So, no. Absolute not necessary to have a social media account.

Now, let me toss out one last bit of advice that kind of applies either way…

Social media is about, well, being social. Honest interaction. When people interact with me on Twitter or Instagram or whatever’s coming next, they’re expecting to interact with me. Not my assistant. Not my sales plan (as mentioned above). Not my month of pre-scheduled posts. They just want a sense of… me. That’s why most of my Twitter and Instagram is about interacting with friends, toys, cats, and B-movies. Occasionally some tabletop games or politics (if I’m especially frustrated by something). And most people seem to like it. That’s just who I am, and I enjoy sharing the stuff I’m interested in and/or love. I’ve got friends who put up pet pics, some who play random games, some who like taking weird photos of the world or themselves. It’s whatever you enjoy doing, because that honest enjoyment shines through.

If someone’s not really into social media, if they don’t want to deal with that interaction or whatever level of responsibility they think it needs to be… fine. Don’t do it. Seriously. People will sense that insincerity, that I see this more as an obligation than an honest interaction. And they won’t be that into it. Better to honestly not be on social media than be on it in a dishonest, disinterested way.

One last thing, which ties back to that insincerity. Let’s say I decide I don’t want to leave anything to chance. If a big follower count only increases my odds of getting picked up by 0.83%, I’ll still take what I can get! In this scenario, it might be tempting to do a lot of things in an attempt to artificially boost my follower count. Following back everyone who follows me, for example, trying to jump on whatever trend I can, or maybe even paying for likes and followers.

Editors and agents can spot this stuff just like you and I can. Again, they’re people. A lot of them have social media accounts of their own. And if they see I’ve got 50,000 followers but I’m following 49,892 people… well, they’re going to have a good sense of how wide my reach really is.

But again… it doesn’t really matter for a fiction book.

Anyway… regular post on Thursday. Clowns and true love. See you then.

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