November 29, 2017

Other Awesomer Books

            Monday I posted the usual ego-stroking Cyber-Monday list of my own books and some anthologies I’m in.  Today–as I have in the past–I thought I’d toss out some other books I’ve enjoyed this year that were written by much more talented people than me.  They’re not really in any order, and a few of them aren’t exactly new, but if you’re looking for something for that special somebody (or for yourself), it’s going to be tough to go wrong with any of these… 
            As always, you can prove you’re a morally better person by visiting your local bookstore.  There’s still plenty of time for them to order something for you if they don’t have it in stock.  Plus, some of them have connections and can get you autographed copies and stuff like that…
Every Heart a Doorway by Seanan McGuire—the short, simple explanation is that this book is about all those kids who find mystic gateways or enchanted wardrobes or interdimensional touchstones, have fantastic adventures… and then eventually end up back in their normal, mundane homes again and having to cope with real life. The best thing I can think to say is that I’m so ridiculously jealous of this book. It’s just magnificent.

Blackbirds by Chuck Wendig – I am super-late to the table with this one, because Wendig’s been writing this series for five years now.  Miriam Black is a foulmouthed alcoholic who’s gifted (or cursed) to immediately know how and when everyone she touches is going to die. After years of dealing with said ability, she’s seen someone’s future death that involves… her.  It’s funny and dark and fantastic and I think there are five of these books now.

Heroine Complex/ Heroine Worship by Sarah Kuhn –superpowers are real. So are superheroes.  The two aren’t always connected.  Oh, demons are real, too, and they can possess all sorts of things.  Evie and Aveda are such crazy-fun -lovable-exciting characters that you’ll devour each book in a day.  I did.

Killing Is My Business by Adam Christopher—I mentioned the first book in this noir-robot-detective series a while back. Adam’s written more of said series.  They’re still amazing, and now there are mysteries-within-the mysteries.  You should read them.
An Excess Male by Maggie Shen King – I got to read an early copy of this and it’s just brilliant.  A dystopian tale set in future-China, where the one child policy has gone… well, just like everyone predicted.  Our four protagonists are trying to form a family while also each hiding an array of personal secrets and deciding who to trust with them.  It’s a fantastic, slow-burn book that reads like the wonderfully twisted love child of The Handmaid’s Tale and Big Love.
Sleeping Giants/ Waking Gods by Sylvain Neuvel—another one I was late picking up (but got caught up quickly).  A fantastic epistolary tale about the discovery of a giant alien robot and the team that comes together to figure out how they use said robot to defend the Earth.  It’s Contact crossed with Pacific Rim, and if that idea doesn’t excite you we have nothing else to say to each other.
            Good day to you.
            I said good day.
We Are Wormwood by Autumn Christian – a beautifully surreal tale about a young woman growing up with insanity and then… well, descending into it herself with a few nudges from her demon girlfriend.  Christian also has a fantastic collection of creepy/scary/sexy short stories called Ecstatic Inferno that I wolfed down in about a day.  I befriended her on Twitter just so I can constantly prod her to write new stuff for me to read. I’m selfish that way.
Ninth City Burning by J. Patrick Black—okay, this glorious space opera’s kind of tough to explain, because in the future Earth has shifted over to an entirely new form of technology.  In short, its about a group of people developing new weapons, learning to use them, and learning to be them.  It may take a little bit to get into this one, but it’s sooo worth it.

Revolution –by John Barber and Cullen Bunn—I was a die-hard comic fan for years, but got driven out by the constant (and often substandard) crossover events.  I started reading some of IDW’s “Hasbroverse” books last year and was frustrated when they announced Revolution, their own upcoming crossover event.
            Holy crap.  This was my favorite comic book event in at least twenty years. It begins with a conflict between the GI Joe team and the Autobots which gets disrupted when Rom the Spaceknight shows up and uses his Neutralizer to incinerate General Joe Coulton before flying off again. If you were already a fan of IDW’s GI Joe or Transformers books, you can guess how a silver robot showing up and killing the Joes’ CO goes over.  If you’re a fan of Rom… you know what this killing implies.  Revolution is honestly suspenseful and dramatic, and has amazingly solid ties to all the books involved.  It’s clearly a crossover that was planned far in advance, and it made me a regular at my comic shop again.

            And anyway, those are some of my favorite things I read this year.  Any one of them would make for a fantastic gift.  And if you’ve got some suggestions of your own, please mention them in the comments down below.

            Tomorrow… regular old writing advice.  Thanks for your patience.

            So, we’re officially in the Christmas season now.  And the marketing people at Crown—who are truly wonderful folks—have dropped certain… hints my way.  Sooooooo, much as I dislike doing this here…
            I have to ask you all to buy stuff.
            I’m so very sorry.  I’ll be quick.
            Here’s a few of my books and also some collections and anthologies I’ve got stories in.  Put them on your holiday wish list or get them as gifts for friends and family members.
            And really, go to your local bookstore.  They’re cool and they could use the business. Plus, now you’re not one of those conformists falling for all this Cyber Monday capitalist nonsense.
            Anyway…
            The big thing this year, of course, is Paradox Bound, available in hardcover at all your favorite bookstores.  Also in ebook and a wonderful audiobook read by Ray Porter.  If you haven’t heard me drone on about it yet, it’s got history travel, road trips, creepy bad guys, and a really cool train. F.Paul Wilson compared it to Doctor Who crossed with National Treasure, and I really couldn’t ask for a better description than that.
            I also had a short story collection come out this year—Dead Men Can’t Complain.  It’s a bunch of stories from various anthologies and journals, plus a few original ones.  This one’s an Audible exclusive, and it’s read by Ray Porter and Ralph Lister.
            Many of you are probably here because of the Ex-Heroes series.  Ex-Heroes, Ex-Patriots, Ex-Communication, Ex-Purgatory, and Ex-Isle! All of these are available in a number of formats and a number of languages.
            Early on someone described The Fold as a horror-suspense novel disguised as a sci-fi-mystery, and I’ve been using that ever since.   It’s also loosely connected to another semi-popular book I wrote…  Ray reads the audiobook for this one, too.
            At least a third of you have probably found your way here because of –14— my weird Lovecraftian-sci-fi-urban-horror-mystery novel.  There’s a paperback (although it’s ridiculously hard to find these days), an ebook, and another audiobook narrated by Ray Porter.
            You can pick up The Junkie Quatrain as either an ebook or an audiobook (no paper, sorry).  It’s my attempt at a “fast zombies” tale, a series of interconnected stories I’ve sometimes described as Rashomonmeets 28 Days Later
            I also have a ton of short stories out in anthologies right now.  The newest one is MECH: Age of Steel, which features “Projekt: Maria,” a new WWII pulp adventure featuring Carter & Kraft from me (and stories by more talented writers like Jason Hough and M. L. Brennan).  Plus, you can still pick up Kaiju Rising, which contains “Banner of the Bent Cross,” the first Carter & Kraft team-up
            Naughty or Niceis a collection of twisted holiday stories which cover… a lot of genres.  Don’t get it for your nine year old.  Or probably your parents. 
            There’s also The X-Files: Trust No One, edited by the wonderful-in-so-many-ways Jonathan Maberry and with stories from Gini Koch, Tim Lebbon, Heather Graham, and more.  My story here is “The Beast of Little Hill,” a classic Mulder and Scully tale about roadside attractions and fake aliens. 
            Finally, there’s “The Apocrypha of Gamma-202, ” a story about robots and religion, which appeared in Bless Your Mechanical Heart.  You’ll also get some great stories from Seanan McGuire, Ken Scholes, and Lucy Snyder.
            Also, I’ve said it in some other places, but if you’d like to get something autographed for the holidays, get in touch with Dark Delicacies (either by phone or online).  You can place an order with them (they’ll order the book you want if they don’t have it in stock) and tell them what you’d like to have scribbled in it. I stop by the store, personalize those scribbles for you, and they ship the book(s) to you in time for your end-of-year-holiday of choice. Everyone wins.
            And thus ends my shameless Cyber Monday appeal to capitalism.  Again, so very sorry, but please tell the marketing folks you read it.  I’ll also do another list later this week with some great books I’ve read by other, much better authors.  And of course, our usual Thursday blog post about writing.  And please don’t forget my Black Friday offer if you happen to be someone who needs it.
            Please feel free to resume your internet shopping.  Surf responsibly.  Clear your browser history on a regular basis.  
            And don’t click on that—it isn’t really from PayPal.
November 23, 2017

Not-That-Bad Guys

            So very sorry I missed last week.  I’ve been trying to get this draft finished before Thanksgiving and last week just kind of sped by before I realized it.  My apologies.
            Also, thanks to all of you who sent me suggestions for topics. I think the rest of the year is filled up kind of nice, but if you happen to be reading this and still have some things you’d like me to blab about, feel free to mention them below.  I’m always up for more writing-related ideas you’d like to hear about.
            On which note…
            Thanksgiving.  A holiday we in the U.S. equally love and dread.  Love because… well, lots of food, friends, and family.  Maybe some booze and a lot of old black and white movies, or football if that’s your thing.  Perhaps a Twilight Zone marathon.  All wonderful things to enjoy on this feast day of thanks.
            Dread because… okay, let’s be honest.  The in-laws are kind of political zealots.  It’s almost impossible to have any discussion with them that doesn’t hit “those crazy liberals” within five minutes.  Your cousin’s significant other, the would-be-chef, is going to have lots to say about the turkey (and the stuffing, and the pie, and the potatoes, and…).   And if Uncle Randy has a third glass of wine (he says it’s just wine, anyway)… well, that’s when all the dark family secrets start coming out.  Some of them are even true.
            Granted, it’s not like these people are actually evil.  They’re not villains.  Okay, yeah, Uncle Randy had a brief stint in jail but that was over parking tickets (he says he was protesting the state government).  And two-thirds of the sentence was reduced to time served.
            But, seriously, they’re not villains.  They’re not what we’d think of as “bad guys.”  They’re just… kind of annoying.  Closer to obstacles than enemies.
            So let’s talk about antagonists for a few minutes.
            I’ve talked before about bad guys and antagonists.  About how my story often needs someone to oppose my hero or heroine, even if that someone is just standing in for a larger, less defined opponent.  An IRS agent can represent the government.  A junior executive can represent big business.  A doctor can represent a debilitating condition or perhaps even death.
            These people aren’t necessarily villains, though.  They may be working—or seem to be working—against my protagonist, but it’s not like they’re up to some nefarious plot.  Oh, sure, they could be, but in most of these examples, they’re probably just people doing their job.  I’m sure pretty sure most IRS agents aren’t gleeful about telling poverty-stricken people they messed up some forms and owe thousands of dollars.  I have a good friend who’s a doctor, and she’s never mentioned getting overly excited about telling people they’re going to need an organ transplant.
            And yet… we still tend to see these people as a challenge to overcome.  Someone we have to beat or prove wrong.
            This isn’t exactly a unique thing.  Having antagonists who are also (on some level) good people is a very common plot device.  Especially once we bring in police, soldiers, doctors, and even government agencies. Yes, even in this day and age.  So my hero has to deal with antagonists that are basically… well, heroes in their own right.
            For example, let’s take a look at a classic antagonist from one of America’s iconic folk tales, one that’s been produced for film and television.
            Captain Gantu from Lilo & Stitch.
            Gantu (voiced by the super-talented Kevin Michael Richardson—seriously, check out this guy’s resume) is the chief antagonist in the movie.  He imprisons Stitch at the beginning of the movie, tried to ship him off to what amounts to eternal exile on an asteroid, and then—after Stitch escapes—Gantu hunts him down to make sure that sentence is carried out.  Although his attitude at this point could loosely be described as… well, it wouldn’t be stretching things a lot to say “dead or alive.”
            But… is Gantu really a villain?  He is CaptainGantu, after all.  He’s risen through the ranks to be an officer of the Galactic Federation, and he’s the right hand man of the Grand Councilwoman.  When he goes after Stitch, it isn’t a personal vendetta—he’s following his leader’s orders to enforce the law.  Stitch is, after all, a fugitive from justice who’s broken even more laws by escaping to Earth.
            So Gantu’s definitely the antagonist of Lilo & Stitch.  And he’s a bit overzealous, yeah.  Maybe even a bit prejudiced against lab-created life forms.  But he’s not exactly a villain.
            Which means… what, as far as we’re concerned?
            Well, first off, this is an empathy issue.  As the writer, I have to be able to see things from Gantu’s (or Uncle Randy’s) point of view.  There has to be more to them than just “opposed to my protagonist,” especially if they’re not a villain… I might want it to be more on the positive side.  Is my antagonist doing this out of a sense of duty—even a misguided one?  Are they a reluctant antagonist?  Maybe it’s a lesser-of-two-evils situation?

            Keep in mind, this doesn’t have to work both ways.  While my readers need to have some empathy for the antagonist in this case, my antagonist doesn’t necessarily have to have any for my hero.  After all, in their eyes, there’s a good chance my hero is “the villain,” and should be treated as such.

            Second is that these antagonists actually need to be good people. If we find out Gantu’s in charge of the Galactic Federation’s concentration camps, or that the in-laws regularly firebomb Planned Parenthood offices and burn crosses on people’s lawns… well, they really are villains, then.  Again, empathy. If they’re going to be good guys then they need to be good guys.  Their actions may be antagonistic towards my hero or heroine, but it should still be clear to my readers they’re decent people at heart.  At the least, they’re just trying to do their jobs.
            Also, something related to keep in mind here—something a writer-friend of mine was recently wrestling with.  If my antagonists are secretly good guys, if this is a twist that comes out somewhere in my third act… well, like any good twist, things still have to line up.  It’s going to be hard to reconcile a last minute “we’re actually the good guys” after 300 pages of murdering innocent bystanders and torturing supporting characters.  If I need my readers to misunderstand the antagonist’s earlier actions… they need to be actions that can be misunderstood.  It’s really tough to come back from shouting a bunch of racist, xenophobic slurs at strangers or shooting schoolteachers in the head.
            Y’see, Timmy, all I have to do is make them good people and have a little empathy.  If I have a real conflict, everything else should fall into place.  Or pretty close into place.
            Assuming I have solid characters.  And an actual plot.  And good dialogue. And… you know.
            Happy Thanksgiving, if you’re here in the states.  Hope tomorrow’s a peaceful and pleasant day for you, wherever you are.
            Next time… a great mystery tip.
            Until then, go write.
December 29, 2016 / 4 Comments

2016 Is Over. Finally.

            I don’t know about you, but this year has been kind of brutal on me.  We don’t even need to bring up politics or innumerable dead entertainment icons.  It’s sucked.  I lost my grandma.  Two friends.  One of my cats.  Hell, even the car I’ve had since I was twenty-seven and working on Silk Stalkings.  
           All dead.
           Screw this year.  Screw 2016.  And I’m only saying “screw” so this page doesn’t get banned from your work server.  I’ve been a lot more emphatic in real life.
            But, anyway… let’s talk about writing.
            At the beginning of every year I toss out some encouragement and ideas about writing. And throughout the year, I jab you pretty much every post with a gentle reminder to go write.  Because that’s the only way this happens. We sit down and we write.
            So… what did you write this year?
            I’ll go first.
            Well, let’s be honest.  The vast majority of this year was spent on Paradox Bound (which most of you will get to read in about… seven months?). I turned in a really wild, scattered draft to my editor (I can admit it), and he politely handed it back and said “try harder.”  Which made me take a long, hard look at a lot of it, rip out a large part of the ending and restructure it, which also meant going back and reworking a fair amount of the beginning.
            But in the end… I’m really proud of how this has turned out. I think you’re going to like it a lot.
            Between drafts, I also finally finished (and submitted) a little story called “Projekt: Maria” for an anthology titled Mech.  That should be out early next year, I believe.  If you read Kaiju Rising a while back, this story is another World War II adventure with Kraft and Carter trying to counter the latest weird and unusual Nazi plot.
            Plus, I’ve done a bunch of work on my next big project (no real title yet—well, not one I’m up for sharing).  And a lot of notes and bits on the next Ex-Heroes book (currently called Ex-Tension).  And I scribbled some notes and pitches for some things… well, that I can’t really talk about quite yet.
            And, hey, this is the 46th ranty blog post this year.  Granted, a handful of those were photo tips, but still… that’s a fairly regular output there. I mean, I’m no Chuck Wendig or Scalzi, but I think that’s a respectable number.  I even managed a couple over on my geeky blog, too… although nowhere near as many as I’d wanted to.
            What else did I do with my time?
            Well, if I’m counting right, I read about thirty-eight new books this year. By which I mean, books I’d never read before.  About half a dozen of them non-fiction. 
            There were also another twenty or so books I re-read, either for reference or enjoyment.  Plus a big pile of comic books and graphic novels—the IDW Revolution event (featuring GI Joe, Rom, Transformers, and Micronauts) was magnificent, as was the conclusion to The Sixth Gun. If you added all of those, I’m probably somewhere in the low sixties.
            Not an ugly score.  Essentially a book a week. I’m huge believer that reading is essential if I want to be a decent writer.  I have to take in material if I want to create material.  I can’t be a filmmaker without watching lots of films. I can’t be a bodybuilder without taking in food.  I can’t be a teacher without learning.  And I sure as hell can’t be a writer if I never read.
            So that’s what I accomplished.  How about you?
            Granted, I’m in the fortunate position where I get to do this full time.  On average, I’m probably going to write more, revise more, and read more than most of you reading this.  It’s not a slam, that’s just basic scheduling.  There’s only so many hours in the day, and I get to spend most of them in this area.  We all have different amounts of time we can put toward these things.  People have kids, jobs, other priorities.
            This also isn’t a contest.  I’m not going to berate you because you only read twenty books this year. I wouldn’t feel extra-special if I read a hundred.  We all read and absorb and work at our own rates
           The key thing is that I can see honest, real forward motion.  I started here and I ended with all of thisdone.  I can’t be telling myself “well, this counts as getting stuff done” or “I meant to do that.”  I should be able to point at things I wrote.
            I mean, that’s what we’re all trying to do, yes?
            I’d like to thank you all for reading this collection of random thoughts and lessons as we head into (holy crap) the ranty blog’s tenth year.  I’ll try my very best to stay entertaining, educational, and semi-relevant.
            Next time, as I usually do, I’d like to start the year by setting down a couple ground rules—for myself and the ranty blog and the rest of you.
            Until then… go write.
            Have a fantastic New Year’s.  May 2017 be better for all of us.

Categories