Category: drafts
June 18, 2015 / 2 Comments
Don’t Look Back Now…
Okay, I’m still trying to get caught up on things after a whirlwind of publicity stuff for The Fold. And to be honest, the storm flags are still blowing a bit. So I just wanted to offer some quick advice on drafts. Specifically, how to approach my first draft.
As I’ve mentioned here a few times before, I tend to treat my first draft as the “just finish it” part of writing. I just want to get it done with a beginning, an end, and the majority of points in between. I also don’t hold back. I let dialogue, descriptions, and action scenes run on a bit longer than they probably should. A lot of it’s not perfect, but I know I’ll start cutting in the next draft or two, so there’s no reason to worry about length now. The most important thing is to get the overall framework done. Personally, I find it’s a lot easier to deal with the small things when the big things aren’t looming over me.
A lot of folks I’ve talked to try to do this, but they get caught in early-editing mode. Ten pages in and they’re going back to edit, or rethink a character, or to tweak the structure. Forward motion crashes to a halt because the writer’s spending all their time looking back.
Now, in all fairness, a few people can do this and it works fine for them. It’s how Kevin Smith writes. He goes in blocks of ten or twelve pages, writing, rewriting, and polishing until they’re done. Then he moves on to the next ten.
If you’re one of the folks who can do this, power to you. But in my experience, with all the writers I’ve talked to over the years, those folks are a rarity. Most of us, alas, have to go through the whole thing, then go through it again. And again.
So, if you’re one of us, too, here’s my quick piece of advice.
Don’t look back.
When working on a first draft, I can read the page I left off on. That’s it. If I stop halfway through the page, I can look at the top half before I start writing again. That’s it. If I ended at the top of a page, too bad.
If I close the document, I’ll make a note somewhere else of what page I was on. When I reopen it, I go right to the page I left off on. No slow paging through the document. Get back to where I left off and start writing again.
Under no circumstances while writing will I hit the up arrow or page up or push the scroll bar. None of that. Not even to go up to the last paragraph. No corrections, no re-reading, no going back to adjust. I don’t go back to fix typos or formatting or anything. This draft moves in one direction and it doesn’t stop moving in that direction.
I do not stop. Ever. Until it is done.
This is an adjustment, yes. And a very tough one. It might not work for everyone. But I’ve tried it twice now and found it helps. There’s a lot of stuff to clean up, yeah, but I’m getting to the clean up stage a lot faster than I would normally.
Y’see, Timmy, forcing myself to only go forward means I’m forcing myself to write. I don’t get to rethink yesterday’s work or tweak that first encounter or even double check if I usedthe right spelling of prophesy (I didn’t, but it doesn’t matter in a first draft). I just write until the first draft is done.
So try going forward. Only forward. Never back. Not one line.
Next time, by popular demand from my fan page, we’re going to talk a bit about screenwriting, clan wars, and hunting.
Until then, go write.
April 24, 2015 / 4 Comments
Slow Down, You Move Too Fast
Both of you who are still here, many thanks for your patience during my long absence.
The title’s a pop culture reference to some band my mom listened to a lot. Garfunkel and Oates, I think…
Okay, I’ll warn you right up front, this post is going to annoy some of you.
I wanted to talk with you for a few minutes about cooking. As I’ve mentioned in the past, cooking and writing are great parallels. There are certain rules that must be followed, but there’s also a degree of personal style and taste involved for both the creator and the consumer. We also understand that while almost all of us can do it on a simple, day-to-day level, there’s a big difference between that and cooking on a professional level as a chef.
In cooking, we understand there are certain time elements that can’t be changed. A three minute egg needs to boil for (big surprise) three minutes. I can’t bake a cake in half the time by turning the temperature up twice as high. Trying to speed these things up doesn’t improve them. We all get that. We all understand it.
This is true in a lot of things. If I’m building a house, I need to let the concrete in the foundation set before I start working on the frame. Doctors often need to do procedures in multiple steps to give the patient time to heal. It’s boring as hell, but sometimes you actually just need to watch paint dry.
Likewise, I think there’s a time element in writing. The more it gets rushed, the more I end up with… well, a burned cake. Or a crappy foundation. Or severe hemorrhaging. Or a lot of smeared paint. Pick your favorite metaphor.
That being said, there’s a lot of pressure to rush through writing these days. I’ve seen more than a few would-be gurus pushing a business model of quantity over quality. The ease of publishing through Amazon has made the idea of moving slow seem… well, clunky and antiquated. It draws comparisons to, dare I say it, dinosaurs. And with the raw amount of stuff being e-published, I think all of us have a lurking fear that if we don’t get our idea out there now, someone else is going to have it out there first thing tomorrow.
But the most important thing, above all others, is for me to write well and write something good. Churning out 6000 words a day or 300 pages for NaNoWriMo is an achievement, yes. But it’s better to have 2000 good words and 200 polished pages if I want to do something with them.
Odds are, that’s just not going to happen in my first draft. Or my second draft, especially if that’s just a quick pass with the spellchecker. Or my third. Maybe not even my fourth. Oh there’s always a chance that my first book is just pure gold on the first pass, but the majority of us just don’t have the ability or the experience to put out material that doesn’t need work.
Yes, us. The book I just turned in took six months, start to finish. It went through four drafts, and there’s no question in my mind it’s going to get another. In the end, I even asked my editor for more time. Because it needed more. A lot of my word choices, my phrasing, my structure… it was all first-pass stuff. It wasn’t really bad, but it also wasn’t good. Definitely not great (although I like to think there were still a few moments of greatness in there somewhere).
Writing takes time. Like the cake or the surgery or the paint, I can’t rush through an edit draft in a day and expect to get the same results as someone who spends three weeks going over their manuscript line by line. My first draft is never going to be as good as someone’s fifth or sixth draft.
Because of this time factor (ready for more angry comments?), I often find myself questioning people who say they wrote a book in a month. Or even six weeks. I completely believe a draft can be written in that amount of time. I wrote the first draft of 14 in about six weeks. But a finished book manuscript? Something ready to hand off to an editor?
You’ve probably heard of Stephen King. You probably also know how often he’s been mocked and criticized numerous times for the speed he puts out books. I mean, he’s got to be putting out how many novels a year?
Two. That’s it. Less than that on average, really (although he did have a bit of a dead zone (zing!) after getting hit by that van). In forty years of professional writing, he’s barely had fifty books published. And so many people still call him a hack because he churns stuff out at such a fast rate…
Now, going slow isn’t an ironclad rule. Just a few weeks back I pointed out that some folks go so slow they pretty much come to a dead stop. And sometimes everything just lines up and a draft takes a few days. No two projects are the same and no two writers are the same.
But if every draft of every project goes fast… maybe I should take an effort to slow down for a while and see how it affects my writing.
Because the goal for all of us is to be great. Not to rush toward good and stop when we get there.
Next time I’d like to have a quick chat about zombies. And vampires. And mysteries.
Until then, go write.
April 2, 2015 / 6 Comments
Instructional Promotional Offer
So, I’m just finishing up my last polish of Ex-Isle, which means no real post this week. Sorry.
However… My publisher, Crown, just started a promotion for my new book, The Fold, (out in hardcover two months from today). Pre-order the book now from your favorite local store (if you haven’t already), enter your info over at my other website, and you’ll get a free galley copy, one of the early, unedited trade paperbacks that was sent out to reviewers, some book stores, and so on.
What does this mean for you, reader of the ranty blog? It means you’ve got a chance to see an earlier draft (the first layout, essentially) and the final novel side by side. You can read the book, then go through the earlier version and find all the places my editor and I changed things. Every tweakand adjustment as we prepared the book to go to the printer. And there are a lot of them, so it’s a worthwhile exercise. And all it costs you is… well, pre-ordering the book.
And heads up—there are only about a hundred or so galley copies available for this, and I think over a dozen of them have been claimed since this promotion started yesterday. Also, just because it needs to be said… you can’t “pre-order” the book once it comes out. So there is a time issue involved here.
Finally, for the record, I’m doing signings at Mysterious Galaxy in San Diego, Dark Delicacies in Los Angeles, and Borderlands Books in San Francisco. So pre-order your book from them and then come back so I can scribble in it.
And next week… back to our regularly scheduled ranting.
And next week… back to our regularly scheduled ranting.
Until then, as the Trickster would say, write, write, WRITE!