Minor pop-culture reference for those of you who are good with movie quotes. And if you are, you’ll see the conflict with today’s little rant…
Also, a shameless plug. My book 14 was chosen as best sci-fi novel of the year by Audible.com, and the publisher’s got the Kindle version on sale right now for just $2.99. Please check it out and then come back to tell me I’m a talentless hack.
Speaking of which…
This is going to be one of those divisive posts, but I think it fits the nature of what I try to do here. This is one of those perhaps painfully obvious tips a writer needs to follow if they want any measure of success. And when I say “success” I refer to the age-old definitions of selling your stuff and making money.
If you want that kind of success, your hero has to win.
I’m using heroin the gender-blind sense. If it makes you feel better, feel free to substitute in heroine or protagonist. I’m not against any of these terms or the characters they attach to, I just think hero is short, quick, and to the point.
And the hero wins.
Pretty much always.
A couple spoilerscoming up, too. Nature of the beast for this kind of rant, sorry. You may want to stop here if you’re way behind in your required reading or viewing.
There’s a belief in some circles that having the hero of the story fail and diesomehow improves the story. This usually ties back to the twin ideas of art and realism which… well, which I mock here on a regular basis. It’s the belief that inserting something random and depressing into my story is more “honest” because life is often random and depressing.
And as we all know, art imitates life. Therefore, if I’m imitating life, I must be making art, right? That’s just simple math.
As I’ve mentioned once or thrice before, this ending sucks. It sucks because we all inherently know the hero is supposed to win. The hero is supposed to win because we identify with the hero. If the hero loses, it means welost. We’re losers.
Believe it or not, this sort of statement doesn’t go over well with most people.
Now, before people start scribbling the angry comments (although I’m sure at least one person already has), let me finish. I’m not saying that every book has to end with happy smiles and people rolling around on piles of money in their new castle. My hero does not need to defeat the lizard men ninjas, save the world, and end up with nymphomaniac/ heiress Reiko Aylesworth in a flying car.
Keep in mind, the hero doesn’t necessarily need to enjoy winning. I just said they need to win. They may be crippled or scarred—physically, emotionally, or both. If the hero ends up wounded or broken after all they’ve done, really that just makes us identify with them a little more, doesn’t it? I know if I had to fight a dozen terrorists in the Nakatomi Building in my bare feet, I’d get the crap kicked out of me.
But I’d still win, of course…
Heck, it may only be a moral or spiritual victory. Atticus Finch loses his court case in To Kill A Mockingbird. At the end of Rocky, our title hero’s battered, bruised, and can barely stand. And Rocky loses the fight. The refs rule for Apollo Creed.
And yet, we all understand that he’s won in the way that really matters. He’s proven he’s not a loser. He’s shown that he can go the distance.
The hero doesn’t even need to survive the story. There are plenty of characters in books and film who didn’t live to enjoy their victories. Let me give a few quick examples…
If you’ve seen The Professional, you know the end is a fiery bloodbath. Only one person walks away, and it definitely isn’t Leon. Stephen King has killed off his heroes in The Dead Zone, The Stand, IT, Desperation, and more. Reese dies at the end of Terminator, and when Arnold plays a good Terminator in the next two movies he always gets destroyed. J.K. Rowling has a lot of bodies at her feet by the end of the Harry Potter series, enough so that she almost seems as kill-happy as Joss Whedon, and he’s just legendary for killing his heroes in brutal ways—in comics, television, and film.
And yet, in all of these examples, the hero wins. No question about it. Anyone who’s read or seen any of these stories will tell you the good guys won and the bad guys lost.
So if I’m going to kill off my hero or if my plot resolves with a massive failure… maybe it’s worth rethinking that.
Especially if I want to win.
Next time, I’d like to discuss a common writing problem and the wisdom of Obi-Wan Kenobi.
Until then, go write.
0 replies on “I Win. I Always Win.”
You're a talentless hack.
Aw, i'm kidding of course. You're a perfectly competent hack. 😉
huge congrats on -14- being named best sci-fi novel btw! Totally deserved. 😀
You're a talentless hack.
(Sorry, I just don't have the intestinal fortitude to buck a growing movement.) 😉
I agree with this about 99%. There are a few people who can pull off a nihilistic ending but they're few and far between.
I was going to mention Lonesome Dove, where Call never becomes any smarter or nicer and fails in his purported goals… but he does win by remaining a loyal friend to Gus to the end and beyond. I was going to mention No Country for Old Men, but I think I'm wrong there too. Even in such a bleak story Ed Tom Bell lives with integrity and Carla Jean's confrontation with Chigurh is a kind of victory.
Matthew, I don't think calling me a hack is a growing movement. I think it's well-grown and established…;)
Yeah, there are definitely people who can pull off the nihilistic ending but they are very, very rare. Like most things here, I'd never say it can't be done, but it's a gigantic uphill battle on multiple fronts. Probably one of the biggest for an author to beat.
Peter, what is your take on endings like in THINNER, where the hero has turned bad? He's still won, but it's not heroic; it's a sickening twist of a victory.
You're NOT a talentless hack.
I agree with you, though I'd argue that there's a "get out of hero winning clause" that works in horror movies. In some cases, the audience can be made to sympathize with the bad guys and them winning isn't a bad thing. Take various horror movies after all.
But yes, SM Stirling's books really get controversial for reversing this fundamental fact.
Snell, I think Thinner is a great example of what I'm trying to say here. If you think about it…
Everyone else– MASSIVE SPOILERS AHEAD
…the book is about Billy being cursed, yes, but it's really about his descent into evil (like you said) as he refuses to take responsibility for what he's done, starts terrorizing the gypsies, and even plots to inflict the curse on his own wife (because she's really the one at fault here…).
But in the end, Billy wins. He could walk away and be free, but he takes the curse back on himself because he finally realizes he's in the wrong and his actions are going to get someone else hurt (his daughter). It's only a moral victory, granted, and he's still going to die an awful, awful death, but he wins.
You know, I completely forgot how the book ended. I read it when I was a kid, and then watched the adaptation years later; it's the movie ending that stuck with me, and it's a bit different than the book.
Peter, have you seen the movie? Billy breaks bad and never redeems himself, yet he still wins. That's more of the victory I was asking about.
I guess the question is… do you feel that the victories have to be heroic?