Category: Broken Room

Well, it’s that time again. Last few days of the year, holidays have flown past, the new year is looming and we’re all looking back on the past twelve months and figuring out what we got done. Was it a productive year? Was it good creatively? Mentally?

I think it’s good to do this sort of thing, personally. It’s hard to tell if I’m improving at something if I don’t keep records and establish some sort of baseline, even if it’s just being able to compare this year to last year. So I like adding all this stuff up so I can remind myself that, yeah, I really do work at this a lot. It’ a nice reminder when the imposter syndrome kicks in late at night.

Plus, let’s face it. This year, like 2020, was rough on productivity. In a lot of ways, it was much better than last year. At the same time… wow, 2021 started rough and felt like it never really got its footing. We all tried to go back to normal and for so many reasons… we couldn’t. There’s just been this lurking unease all year, about so many things—covid, politics, the supply chain. It’s like we know the killer’s somewhere in the house with us, but we’re not sure if we should bolt for the door or just stay quietly hidden here in the living room. I mean, nothing bad’s happened to us but there was some shouting and then a scream from upstairs where Randi was but she’s probably okay?  And maybe we could try opening the window and getting out that way but is it worth the risk? That window really squeaks sometimes. Maybe we’d get out, yeah, but maybe it’d be one of those things where we’ve got one leg and an arm and our head out the window and then something YANKS us back inside.

It’s been like that. For me, anyway. Maybe it wasn’t as bad for you. But if it was, you weren’t alone. This is my full time job and for the past two years… it’s been tough to focus on being creative.

Anyway… what did I do this year?

Right off the bat, it just struck me that I didn’t have a single thing come out in 2021. No novels or short stories or anything. Been a couple years since that happened.

I finished The Broken Room in January, then ended up doing another pass on it based off some talks with my agent (which actually led to a whole new chapter and some big tweaks to a few others). Then there were all the story edits and copyedits with Blackstone. Maybe worth adding in that I chipped in some creative thoughts on the marketing and cover art, even if all of those thoughts were wisely ignored. I mean, I still did that work, so we should count it. And this is the point where I shamelessly say, hey, you can preorder The Broken Room right now from your favorite local bookstore, Indiebound, or any monolithic online superstore named after a South American river.

I also did a massive outline for a six book series I’ve wanted to do for a while now. Like, a whole beginning-to-end hexalogy. Some of you may have heard me talk about it  here or there. The entire combined thing was just shy of 44K words. I also used that to make a trimmed down, 10K word pitch document for my agent, who I’d also been talking about this with for a few years.

And, hey, then I sat down and wrote the first draft of book one of said series, which came in at a terse 73K words. Like a lot of my first drafts, it had some holes and some bits I skimmed over. I just wanted to finish it because…

(dramatic break)

While my agent really liked the six book series, he also admitted it’d be a tough sell at this point. Just because of the state of the industry, the point my own career is at, and so on. We had a couple conversation about it—the kind of conversations the artistic side doesn’t’ like, but the business side knows you need to have—and, well, after finishing that first draft of Book One, I sat down and worked out  pair of outlines for two different, stand-alone books that had been tickling my brain for a while. So that was another 17k words scribbled out.

And after we talked about those two outlines, David pretty enthusiastically said I should focus on one of them. And I’m currently about 35K words into that as we speak. Hoping to have a first draft done by Valentine’s Day, maybe?

And on top of all that…

I scribbled up 52 blog posts this year, counting this one. Granted, three or four of those were cartoons, so I didn’t have to put much effort in past, y’know, posting them. But hopefully still enough that one or two of you found something useful here. Seriously, I’m never sure if this is more useful for you or therapeutic for me…

Speaking of therapy, so many Saturday geekery threads. At least forty. A lot of B-movies dissected in real time. Most bad, but some good ones, too.

I also jotted a few thousand words (maybe eight or nine) down for a geekery side project I’ll probably be launching this year. Nothing spectacular, don’t get too excited. Well, some of you may end up very excited, some will be willing to try it, and a few of you will greet this with a resounding “huh.”

And I read a lot, too. Nowhere near as much as I would’ve liked (neveras much as I would’ve liked). I think I’m looking at ending the year with twenty-six novels under my belt, plus one or two non-fiction books and a ton of articles (an actual metric ton). Weirdly enough, very few comics this past year. Covid isolated me from my regular shop in LA (The House of Secrets) for most of last year, and this year I was hesitant about going to find a new place because, y’know, the killer’s somewhere here in the house.

So that’s more or less where I am.

How about you? Did you get some cool stuff done this year? Don’t worry about how much—did you get anything done? Did you carve out a little time and manage to  do something in your chosen field of creativity?

Again, don’t beat yourself up over what you didn’t do. There’s a lot of stuff we all didn’t do. This is about celebrating what we did. Taking note of it. Figuring out what we need to do so we can improve next time.

And speaking of next time…

When next we meet it’ll be 2022. I’ve got a couple topics I plan to blather on about. Was going to talk about plot and character a bit, perhaps touch on how long things can take to write (or how long it can take to get a career going), maybe talk a bit about making things up. And maybe some of that will sound interesting to you. Or maybe you’ve got something that’s been gnawing at you and you’d like to hear me blather on about. If that’s the case, drop a comment down below or over on Twitter or Instagram.

So until next time, please have a safe and happy New Year, please get your shots if you haven’t already, and please please please…

Go write.

I’m not that big on Cyber Monday anymore because it really tends to just direct a lot of traffic toward Amazon. But it’s that time of year where people have too much eggnog and all the skeletons come out of the closet. Uncle Jack hates to admit it, but artists only get to make art because they get paid.  Artists get paid when people buy their art.

So I’m going to ask you to buy some books. And for two or three of them, I may have to direct you to Amazon. For everything else, you should just be going to your local bookstore and asking for a copy. They’re very cool, they could use the business, and this way you’re not one of those conformists sheeple falling for that Cyber Monday capitalist nonsense. You’ll get to brag about that until Valentine’s Day, easy.

So here’s a list of my books and a few short story collections. Please put them on your wish list or get them as gifts for friends and family members.

First up, you could pre-order The Broken Roomat your favorite local bookstore, in hardcover or paperback. It comes out in early March, so really this is a gift for yourself. And kind of for me, because those preorders really impress publishers and help out a lot. I think we’re going to be having a cover reveal any day now…

Terminus is part of the Threshold universe of stories. It’s about a bunch of people who end up at a strange, uncharted island in the middle of the Indian Ocean. Chase is running away from things, Anne is running towards them, and Murdoch is slowly coming to realize he probably shouldn’t’ve stopped running. They all start to explore said strange island, their paths begin to cross, and the end of the world begins to unfold around them. It’s currently available in ebook and audiobook (read by the always-fantastic Ray Porter). No paper, I’m afraid, but I may have news about this next year…

Dead Moon is about a woman who runs away to the Moon and finds… well, zombies on the Moon. And some other things, too. It’s spooky and fun and I’m quite proud of it. It’s another one that’s in ebook and audio, but no paper (sorry)

Paradox Bound is my New York Times-bestselling story about infatuation, road trips, American history, a pretty cool train and some pretty creepy antagonists. F.Paul Wilson said it was like Doctor Who crossed with National Treasure, and if that doesn’t get you interested I don’t know what will. There’s an audiobook, ebook, paperbacks, and you might even find a hardcover here or there if you’re lucky. Call your local bookstoreand ask if they’ve got one.

Somebody once described The Fold as a horror-suspense novel disguised as a sci-fi-mystery, and I’ve always liked that. It’s available in pretty much every format you can imagine, and it’s also part of the unconnected “series” of Threshold books.

Several of you found your way here because of my odd little sci-fi-urban-horror-mystery novel–14. Alas, the paperback has lone since gone out of print, but there’s still an ebook and a phenomenal audiobook narrated by Ray Porter (the first project we did together). And there might be more versions in the year to come, but we’ll talk about those when we can… 

Another big bunch of you are here because of the Ex-Heroesseries. Superheroes fighting zombies in post-apocalyptic Los Angeles (and a few other places).  Ex-Heroes, Ex-Patriots, Ex-Communication, Ex-Purgatory, and Ex-Isle. All of these are available in a number of formats and a number of languages.

My mashup novel, The Eerie Adventures of the Lycanthrope Robinson Crusoe, is finally available as an audiobook. Bad news… it also only has audio and ebook versions at the moment. Sorry. Hoping to fix that soon, but I really think the audiobook might be a better format for this one.

I also have a short story collection called Dead Men Can’t Complain.  It’s got a bunch of stories I’ve had published over the years in various anthologies and journals, plus a few original ones.  It’s an Audible exclusive, and it’s read by Ray Porter and Ralph Lister.

You can pick up The Junkie Quatrain as either an ebook or an audiobook (still no paper, sorry). It’s my attempt at a “fast zombies” tale, a short series of interconnected stories I’ve described as Rashomon meets 28 Days Later. It also features a recurring character of mine, Quilt, who keeps showing up in different stories in one way or another… 

Thus ends my shameless Cyber Monday appeal to you.  Again, so very sorry we had to do this, but it really does make the marketing folks happy and they’ve always been really good to me. Also, please check out this year’s list of some of the great books I’ve read by other, much better authors.

And please don’t forget my Black Friday offer if you happen to be one of the folks who may need it.

We now resume your regular internet shopping. Browse responsibly. Clear your history on a regular basis. Especially you, Doug. No, sweet jebus, don’t click on that—that’s not really from PayPal.

And we’ll be back to regular writing stuff on Thursday.

In the before times I tried to update the frequently asked questions every six months or so. Last year kinda blew that habit out of the water. A lot of this year, too. With all the disruption to, y’know, everything. Some things slowed to a crawl. Others came to a grinding halt.

And that meant I had a lot less news to share and/or questions to update.

Folks are finally getting used to this new normal, though, and enough things are getting back in motion that I figured it was finally worth updating this.

So here’s fresh answers to some of the most common questions I get. So now when people ask me those questions (again!)—or when their teacher says “Hey, hunt down an author on social media and ask them a bunch of questions”—I can just point you at this document, most likely pinned near the top of my social media pages and this blog (look, there it is in the right-hand-column). Which means the answers are all right here.

Or in the books. There’s lots of answers in the books. Really.

1) When are we going to see something new?
Next up for me is going to be The Broken Room, coming out in early March 2022—about six months from now! We technically have an exact date, but I want to hold off sharing that just in case things go wonky sometime between now and then. As a lot of things are right now. I wrote The Broken Room over lockdown last year and it’s a bit different for me. After a couple phone calls and discussions, my agent pitched it to publishers as “Jack Reacher meets Stranger Things.” And it turns out, hey, that sounded interesting to some folks.

After that—possibly before depending on how a few things go—I’m going to (finally) put out my short story collection as an ebook. Yeah, just an ebook, sorry. Dead Men Can’t Complain + Other Stories has been an audio collection for a while, but it really needs to get out more. And (if I can pull this off) there may be some cool bonuses for this version.

And, after some strategizing, my agent and I are talking about two more ideas you might like and he may be talking to certain folks about over the holidays…

2) Why did you do all these “Audible exclusives” for the past few years ?
First off, I only did two. Well, okay, four, since they offered to release some previously-published, out-of-print stuff nobody else was interested in anymore—The Eerie Adventures of the Lycanthrope RobinsonCrusoe and a bunch of short stories we combined into Dead Men Can’t Complain, but those two weren’t even exclusives.

Second, there’s a solid argument to be made that the majority of my fan base is audiobook listeners. Audible knows this, too, so when they heard about Dead Moon and Terminus they made me an extremelygenerous offer for exclusive rights, meaning both of them would be audiobook only for the first six months they were out. Then I’d be free to do what I want with them.

Yeah, I know it made some of you grind your teeth. Sorry if you weren’t an audiobook listener (for whatever reason) and it left you out of the loop for a bit. My agent and I talked a lot about the pros and cons of doing of those deals. In the end, I really wanted to tell those stories and that was the overall best way to do it. Again, I’m sorry if it put you in a bad spot.

3) Do you make more money if I buy your books in a certain format?
This sounds like an easy question, I know, but there’s a bunch of conditionals to any answer I give. A huge chunk of each and every book contract is just all the different terms and conditions for when and if and how people get paid. Lots of “ifs” and “excepts” and “unlesses.”

For example… format matters, sure, but so does whereyou bought the book. And when. And how many people bought it before you. And if it was on sale. And who actually had the sale (publisher or distributor).  And all of this changes in every contract.  What’s true for, say, Paradox Bound isn’t true for Terminus. In some situations. Usually.

TL;DR—just buy the format you like. It’ll all work out fine.

4) So still no paper version of Terminus orDead Moon?
No, sorry. There’s a couple of different reasons for it involving different business and PR things. If you’re really interested, I went over all of it about a year or so back. There’s still a chance both books may still become available if there’s a big demand for them (feel free to tell Crown Publishing you want to read them in print and would buy half a dozen copies), but for the moment these (and a few of my other older books) are only going to be ebook and audio. Sorry.

5) When are we going to see a movie/ TV series/ graphic novel/ video game of your books?

Well, first off, I hope you understand I have pretty much zero influence on Netflix making a Threshold series or Disney+ doing aLycanthrope Robinson Crusoe movie. When we see a TV series or film adaptation, it means the filmmakers went to the writer, not the other way around. Think about it. If the writers just had to say “hey, make this into a movie,” wouldn’t most books be adapted by now? Everybody’d be doing it.

That said… yes, there’s a potentially big thing going on right now. But like so many Hollywood things, it’s moving along at its own pace and hasn’t quite hit the point where I feel good talking about it yet in anything more than vague terms like this. Once there’s something solid to tell you, I’ll tell you.

Really, you’ll probably hear me shrieking from wherever you are on Earth.

6) Well, is there anything we can do to help?
Buying books is always the best step. Talking about them is a close second. Hollywoodlikes to see big sales numbers and interest. Producers/ directors/ actors all hear about this stuff the same way you do—online reviews, bestseller lists, and social media. If #ParadoxBound started trending on Twitter tomorrow, there’d probably be a film in pre-production by the end of the year. Really.

So talk about books you like (anyone’s books, not just mine). Mention them to friends, write reviews (always good), tag online streaming channels if you want to talk about how this or that should be a movie. Word of mouth is the best (and easiest) thing to do.

7) I thought you don’t like people talking about your books. Now I’m confused.
I’m always thrilled and amazed people talk about anything I wrote. Seriously. I think most writers are. What I can’t stand, personally, are people who blurt out spoilers that ruin these stories for other people. It’s why I avoid those questions in interviews, ignore them on Twitter, and why—where I can—I delete (or block) posts that reveal things from a book.

And not just my stories! You shouldn’t mess up other stories, either. Movies, TV—I’m just saying, if you enjoyed it spoiler-free, why not try to give other people a chance to enjoy it the same way? Especially these days when release dates/airdates aren’t the ironclad things they used to be. Even if you didn’t enjoy it, they might.

8) Do you have any plans to attend ########-Con?
I’ve been doing a lot of virtual stuff, but I’m hoping the world will be in a place where I can get back out there next spring and say “Hi” to folks. Really, I’d love to do a lot of stuff in February-through-May to help promote The Broken Room. So if you want to see me at your local con, let them know. Email them, tweet them, post on their Instagram account. Reach out, vote, and let your voice be heard.

Also, generally this is a sooner-is-better type thing. If you’ve got a convention near you that plans to go ahead in February, there’s a good chance they’re putting together a guest list now. So don’t wait—let them know right now that you want K. Arsenault Rivera there!

And me. Let them know you want to see me. Y’know… if you do.

9) Could you explain the whole “Threshold” series?
Threshold is the umbrella label for the shared “cosmic horror” universe I unknowingly began a little over nine years ago with 14. It refers both to doorways and also things reaching a critical point–common themes in many of the stories. There are some books that form a more linear story, a “series” if you will, and some that stand alone. Which. in all fairness, makes things a bit awkward sometimes. I know the marketing folks sometimes pushed Thresholdas a pure, straightforward series even though I’ve said many, many times that it’s just a shared universe. I know at times this gave some readers false expectations for some books, and I apologize if that was you.

10) Is Ex-Isle the last Ex book?
Yeah, Ex-Tension is on the back burner for the foreseeable future.  Sorry.

The truth is, every series has a limited life. Book one always sells best, not as many people show up for book two, even less show up for book three, and so on. Not a lot of folks leap in on book five, y’know? Something may happen to give the first book a boost (and all the other books after it) but they’re always going to be on a near-constant downward slope heading for that big red line where things aren’t profitable. None of the Ex-Heroes books ever lost money (thank you all for that), but when the publisher looked ahead to book six… well, hitting said line was pretty much unavoidable.

11) Have you considered a Kickstarter or a GoFundme?
Yeah, sorry, the answer’s still no. I love these books and had tons of fun writing them. I’m still amazed there are so many fans who love them so much. But the math is pretty simple—if enough people were willing to pay for another book, the publisher would be willing to put out another book. And all the numbers say that’s just not the case.

Yeah, I know some of you might be willing to pay twice as much to see one more book, but I think we can all agree there’s at least as many people (probably more) who wouldn’t pay anything. And that’s the math again—it just doesn’t work out for this.

Another point to consider. I’ve usually got a good sense of what I’m working on for at least the next year, sometimes even longer. If I do a crowdfunded project, I have to schedule my time under the assumption it’s going to succeed, which means telling my publishers any other projects need to be put off and scheduled accordingly. And that leaves a six or seven month hole in my schedule when the Kickstarter flops. Which—again—all the math says is what’ll happen.

So again, no. Sorry.

12) Will you read my story and tell me what you think?
Short answer… no. 

Long answer… look, if I said yes to even a third of the requests I got, I’d be spending most of my time reading and doing critiques instead of writing. I don’t mean to sound mercenary, but… writing is how I pay my mortgage. And buy food and booze. And I really like food and booze. And my house. So when someone asks me to read stuff, they’re asking me to give up a few hours of work. Would you want to give up a few hours of work? Plus, I do have this ranty writing blog sitting right, y’know, here with over a decade of advice and tips.

Also, sad truth is some folks are not too bright and lawsuit-crazy, and they ruin it for everyone else. Somebody shows me a piece of bland, generic fanfic, then a few years from now they sue me for stealing their ideas. Yeah, I know how stupid that sounds, but I’ve actually been subpoenaed and deposed for lawsuits with less behind them than that. It’s why I’m verrrryleery when I get a long message along the lines of “You know what you should really do next with the people from 14…”  Heck, some writers respond with cease & desist orders when they get sent stuff like this.  

So the long answer also boils down to “no.” And if you send stuff without asking, I’ll delete it unread, just like spam mail. And probably block you.

13) What’s up with your Facebook page?
Ahhhhh, Facebook. Where we’re the product and the target audience. Just like Soylent Green.

Sad fact is, Facebook made it pretty much pointless for me to have a fan page there.  They altered their algorithms over the years so my posts went from 70-85% engagement to barely scraping 10-15% most of the time. All to make me pay to reach people who were already following me. Which I won’t do for a few reasons, a big one being folks pretty solidly showed years ago that paying for views on Facebook actually decreases your reach. Seriously.

Sure–it’s their site, they can run it however they like. And yeah they absolutely deserve to make money off it. I’m a progressive, but I still believe in (regulated) capitalism. But part of capitalism is you have to make something I want. I don’t have to use your product.

Plus there’s all of Facebook’s side ventures. Collecting countless amounts of personal data. Deliberately spreading misinformation. Malicious social engineering. If you think I’m exaggerating, look up articles about how Facebook shaped perceptions or spread propaganda in Myanmaror Sri Lanka. Or, y’know, the USA. And these aren’t fringe articles—they’re from major news sites.

So, yeah,  I deleted my Facebook account almost two years ago (long overdue). There’s still a fan page there, but it’s just sort of a zombie page (zing) with no administrator.

14) What about Twitter or Instagram?
I’m @PeterClines on both.  Fair warning–as I mentioned above, I’m progressive and I’m a bit more political on Twitter. Most Saturdays I also drink and live-tweet bad B-movies while building little toy soldiers so…  look, don’t say you didn’t know what you were getting into.

Instagram is probably the geekier of  my social medias.  How is that possible, you ask?  Well, there’s lots of toys and LEGO and model robots. And cats. Can’t have an Instagram account without cats. Sometimes there are overlaps in these things.

Yeah, I know Instagram’s also owned by Facebook, but (for the moment) they’re not being quite so reprehensible and algorithm-manipulative on Instagram. So (also for the moment) I’ll still be there.

And I think that should answer about 83% of your questions, yes…?

Well, here we are. The last post of the year. Finally.

Normally, when I get to the end of the year, it’s a chance to sit down and list off all the stuff I got done over the past twelve months. But wow… here in the USnine of these past twelve months have been pretty awful. Made even worse by the fact that it feels like certain parties/persons in the government really don’t even care if Americans live or die. I understand the UKisn’t much better. Hell, is it even still the UK?

It all combined to make a pretty rough year.

If you didn’t get a lot done this year as a creative person, you’re not alone. We all had a big shift in priorities and schedules, not to mention financial shifts. And just lots and lots of stress. If you weren’t worried about things this year… honestly, I don’t know what to say. For the rest of us, it was just brutal.

I know I got waaaaaaaay less done than I’d wanted this year. Pretty sure I lost the back half of March through early May to doomscrolling as the pandemic found its legs and took off. And then, just as I was getting back on my creative feet, the summer protests kicked into gear—some of them very close to me. And it’s tough to work on weird, entertaining stories when you know just a few miles away people are risking their lives trying to end… well, pretty much a reign of terror.

Okay, this is spiraling into despair, so let’s talk about good things. Because there were some good things. There’s no way you can tell me you didn’t have brief moments of creativity this year.

The big thing for me was The Broken Room. Still not sure about the title, but I’m very happy with the book itself. I started it last year, got the first draft done before, y’know, everything, and then spent the summer cutting and editing. And then my agent had some good thoughts (a few of which had already been gnawing at me) which I’m in the process of implementing now (not right now obviously, but for the past few weeks). If all goes well, you might get to read it next year.

I also wrote a massive outline for what will hopefully be a six book series. Not an ongoing universe or anything, but a large story told, beginning to end, across six books. A hexalogy or sextet, depending on your preference. This is something I wouldn’t’ve even thought about a couple years ago, for a few reasons, and even as it is my agent’s warned me it might be a tough sell. But I’ve been playing with this for a while and it’s finally all come together and… well, hopefully I’ll get to tell you more about the Creatureverse in the near future.

Speaking of things I’ve been playing with for a while… There’s an idea I bounced off an editor about six or seven years ago (over whiskey and apple pie late one night at San Diego Comic-Con), and he pointed out I basically had a well-thought out idea, but not much of a plot, really. Well, about two weeks ago that whole knot just unsnarled in my head. Or got cut in half, depending on how you like to picture tough knots getting dealt with. I ran to my computer and typed out a little over three pages of notes for that. Who knows when I’ll get to it, but when I get the chance I know I can write it.

I also pitched a dream project to a comics editor. I think I’ve got a solid take, but I can also admit (in retrospect) my pitch was pretty weak. I should’ve done a better job figuring out how to pitch things for this particular format and for that particular editor. If I’m lucky, maybe I’ll get to try again in a year or four, when the shame of this bad attempt has faded from both our memories.

Oh, and there’s the ranty writing blog itself. Seventy-three posts here, although probably a dozen of those were cartoons or quick notices about new books or something. And a quarter of it past that was all the A2Q series, which hopefully one or two of you found semi-useful.

I also managed to read thirty-one books this year, despite all the doomscrolling. Nowhere near my usual amount but… hey, doomscrolling. As it is, most of these were either for the Last Bookstore’s dystopian book club or blurb books for friends/editors/ my agent. But I might get one more done before New Year’s! Which is also a blurb book.

I read a lot of comics for fun. Shadow Road. Transformers. GI Joe. Vampirella/Red Sonja(which is amazingly good). There’s also a Transformers/Terminatorcrossover book which I’m only two issues into but it’s very clever.

And that’s what I got done this year. A lot of time lost, but I think I used the remainder pretty well. I’m happy with how it all turned out, anyway…

How about you? I don’t think any of us got as much done as we’d wanted, for a bunch of reasons. but hopefully you got something down you’re happy with. A few chapters, a couple of pages, or maybe some notes to work with once everything’s just a little calmer. The important thing isn’t how much you did—it’s that you did it.

Seriously, if you managed to get stuff done in 2020, think what you’ll be able to do when the world’s not on fire.

And hey, speaking of things not being on fire—sorry, quick segue—Georgia residents, I know you’ve been battered with this but please vote in your Senate runoff next week, and please vote for Reverend Raphael Warnock and Jon Ossoff. The simplest way to get the government working for you again is simply to remove Mitch McConnell as Senate Majority Leader. And voting for Warnock and Ossoff will do that. Plus, added bonus, it’ll get rid of two incredibly corrupt members of the Senate who’ve blatantly used their positions to enrich themselves. So really it’s a win-win.

I hope all of you have the absolute best New Year’s you can with the state of things right now, and that 2021 brings all of us peace, relief, and maybe a few clever plot lines.

See you again in the future.

Until then, go write.