January 3, 2019 / 4 Comments

What Are You Looking For?

Welcome to 2019!  A dystopian world unlike any you could’ve imagined…

I wanted to start the year by just tossing out a couple introductory thoughts for you about writing.  Or why we’re writing, really.  Maybe something to consider while those resolutions are still firming up.

Really, it all kinda boils down to one question.

 Why are you doing this?

It’s a question I think a lot of folks don’t ask themselves, and it’s kind of important.  What I actually hope to get out of an activity should really effect how I approach said activity.  Is writing just a hobby for me?  Is it a form of artistic expression?  Do I just want to make a little money on the side with it or am I hoping to make a career out of this?  Do I just want all the little side perks that come with being a famous writer? Maybe some combination of some or all of these things?

Almost all of these are valid ways to approach writing.  But if I don’t know—or I’m not honest with myself—about where I want to end up, I can waste a lot of time on the wrong path.  And when I don’t get where I wanted to go… well, there’s only one person I can blame.

Now, I’m willing to bet some folks reading this are already grumbling.  Internally if nothing else.  Experience has taught me that a lot of people don’t like talking about writing in a concrete way like this.  If I had to guess why, I think it’s because keeping things vague and soft is comfortable.  It’s easy. If I don’t declare what my goals are, it’s pretty much impossible for you to tell me I’m not getting closer to them.  I can just keep doing whatever I want in this big hazy cloud of possibilities and declare success.

So let’s not talk about writing.

Let’s fall back on one of my favorite parallels—cooking.  We can talk about cooking without anyone getting mad, right?  It’s a safe, simple topic.

Why do you cook?

I mean, we all cook to some degree or another.  Maybe it’s just using the microwave or the toaster, but I think everybody reading this can at least feed yourself without resorting to ordering a pizza, right?   Some of us might even be able to make pizza from scratch.  Or maybe go all the way to ravioli in vodka sauce with homemade garlic bread.

(I might be a bit hungry while I type all this—just warning you now)

So yeah, some people might be happy just having those bare basic skills and maybe some folks want to do a bit more.  Maybe you’re just really into pasta or baking or soups and you have a lot of fun experimenting with them.

Or maybe I want to go all the way with this.  I want to be a chef.  Like, a trained and accredited chef.  Do they accredit chefs?  You get the idea.  I want to wear that white jacket and the apron and work in a restaurant.  Hell, maybe I want to own a restaurant! 

It’s possible to approach cooking a lot of different ways, depending on where I want to go with it.  And there’s nothing that says I can’t change direction at some point.  I can just play around with pies and cakes for my own amusement and maybe one day decide I want to open a bakery.  But I need to acknowledge that’ll mean a big shift in how I approach things.  Baking cookies for me and my friends is not the same as baking them for the Wednesday lunch rush.

Another thing about cooking—we can all agree there are some rules to it.  There are tons of recipes that’ll have flexibility, sure, but in the end, it needs to be edible.  Some ingredients need to be cooked certain ways.  Yeah, breaking these rules is possible, but it’s really important that I know how to break them.  Like, I can do things with raw eggs, but it’s risky.  If I don’t know exactly what I’m doing, I might make someone sick.  Like full-on poison them.  Fatally.

And that’s not going to get me a lot of repeat dinner guests.

Or repeat customers, if I’ve decided to go pro with this.

That’s a nice lead in for my last point about cooking.  The business side of it.  Yeah, maybe you don’t want to go that way, but it’s worth at least thinking about for a minute.  I think the vast majority of us wouldn’t mind making money at our cooking, right?

(everybody remembers this is an extended metaphor, right?)

The minute I decide to start thinking about cooking in a business sense, I need to start thinking about it… well, like a business.  If I want to open a restaurant or a bakery, I need to consider what my customers want, sales numbers, investment returns, and more.  It’s painful to say, but at this point I need to ignore the art side of things for a bit and start looking at hard numbers.

Like, okay, cooking’s always going to have a personal edge to it.  I really like things on the spicy side.  My partner’s a vegetarian.  Maybe you hate anything that doesn’t include bacon.

But once we’re talking about cooking as a business, it’s not all about us anymore.  It’s about them—my potential customers.  What do they like?  What are they going to spend money on?  What are they going to take a chance on?  Yeah, my maggot brulee might be the most amazing (and carbon-friendly) dessert you’ll ever have, but I shouldn’t be too shocked if nobody wants to try it.  Customers probably won’t want to eat it (not enough to support a restaurant, anyway) and investors probably won’t want to back my little writhing cafe.

And again—this doesn’t mean the maggot brulee is bad.  This isn’t about good or bad, it’s about making smart business decisions.  Cooking professionally means not doing as many adventurous things, and being very smart about the risks I take and the rules I break.  It means finding that perfect sweet spot where I can make my customers (and investors) feel very safe and comfortable while also getting them excited about trying something new.

It’s tough.  That’s why so many restaurants fail.  Depending on which numbers you look at, it’s generous to say only one out of five restaurants lasts three years.

Which, honestly, is still better numbers than most writers.

That’s what we’ve been talking about, remember?

Y’see, Timmy, there’s no “correct” endgame with writing.  You wanting to do it just for the art isn’t any worse or better, decision-wise, than me doing it for a living.  They can do it for fun, she can do it as therapy, and he can do it as an ongoing social-psychological exploration as what it means to be a brilliant mind trapped at the mall food court serving orange chicken to capitalist sheeple every day (it’s too deep for you to understand, just deal with it).  Whatever I want to do with writing… that’s the right choice for me.  And whatever you want to do is the right choice for you.

Just make sure you’re on the right path to get to that goal.  Or at least headed generally toward it.  Path A could be a smooth, unchallenging run, but it doesn’t lead to D.  And path C lets me take the moral high ground, but it’s not going to get me to E.

I freely admit, this blog is overall about getting on a career path with writing.  Or maybe getting over some of the rough parts of that path a little easier.  And you may find some tools here you can use on other paths.  Rope’s very helpful with mountain climbing, but you use it a lot in sailing, too.  Some writing advice is like that.  It can get you closer to publication, but it can also make your Dungeons & Dragons blog really pop.

So… that’s what we’re going to do this year.

And maybe a tiny bit of self promotion for a couple projects coming out.

Next time, well… we should probably talk about getting started.

Until then, go write.

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December 27, 2018 / 2 Comments

The End Times

            Joyous Kwanzaato all of you celebrating it.  If you’re more the Christmas type, I hope the day was happy and peaceful and Santa got you that one thing that’s been on your mind.  And I hope all of you are looking forward to the upcoming New Year.
            Speaking of which… as this year’s winding down I thought it’d be worth going over what got done this year.  I’ve mentioned before, I think, that sometimes people get a really disheartening idea of how much some authors produce on a weekly/monthly/yearly basis because they’ll catch somebody like Chuck Wendig or Victoria Schwab posting about a particularly productive day they had (or Jonathan Maberry posting about, y’know, a day that ends in Y…).  When you’re struggling to squeeze in a few hours a week, it can be kinda soul-crushing to see people who are writing five or six thousand words a day.
            So I thought I’d go over all my writing-related activities for the year.  Break down what got done and how long it took.  Keeping in mind, again, that this is my full-time job, so there’s some stuff I consider part of the writing job that might not actually involve writing a specific book.  As we shall see.
            Anyway…
            I wrote—and rewrote—a good chunk of a book called Dead Moon.  I started it seven years ago and it’s finally coming out in February through Audible.  I think it’s a much better, stronger book than it would’ve been if I’d written it back in 2011.  Partly because I’m a better writer (I like to think so, anyway), partly because I’m gotten to work with a lot of good editors over those seven years and they each pushed me to be a little sharper, a little better.
            As you’re reading this, I’m a little over 45,000 words into another book, one that ties together two previous ones I wrote.  Overall, it’s going smoothly so far, although I’ve lost about a week to the flu which led right into the holidays, and also a pulled back early this fall.  I’d wanted to be another 20-25,000 words along at this point, but I’m still happy where things are at.  I’m probably going to do a whole post on this one sometime in the spring, because it’s the first time I’ve really done a book start to finish from a full outline.
            Plus I’ve been working on an outline for my next book, too.  Still in the early days, fleshing out a few things, but I’m very excited about it.
            I wrote about fifty-five posts here at the ranty blog.  Yeah, the number down on the side bar is a little higher, but a couple of those posts were cartoons or memes or different con schedules.  I’m not sure how many, but enough that I should probably knock at least a dozen off that final number.
            Probably worth mentioning that this year I shut down another blog I’d had for a few years. It was mostly about my geeky toy soldier hobby and ways to save money with it.  Truth is, though, I just haven’t had time to put into those paperhammer projects that I used to.  Closing it down took a lot of stress and guilt off my shoulders for… well, not coming up with content for that blog.  So that’s probably something to remember, too.  There are times it’s worth it to stopwriting.
            Also worth mentioning that this was a pretty appearance-heavy year for me.  I appeared at five different cons, if memory serves, plus a few speaking engagements.  Plus the Writers Coffeehouse, and now the Dystopian/Apocalyptic bookclub at The Last Bookstore.
            Finally, a ton of reading.  I didn’t get to read as much as I would’ve liked these past few years, so in 2018 I made it a point that I wanted to read a lot of novels from a variety of authors, and try to read at least one a week.  It was energizing and enlightening and I can’t recommend it enough.  Expand your horizons.  I’m currently in the middle of book 51 for the year, and might even get into 52 this weekend.
            (there was a pile of comics in there, too)
            And there’s that.  How this professional writer spent his time this year.  And keep in mind I still had time to binge Lost in Space, Sabrina, and 3Belowwhile also keeping up with my CW shows and The Good Place.
            Oh, and move to another city.
            Almost forgot that part.
            What have you gotten done this year, writing-wise?  Did you hit your goals?  Get close?  Hopefully, if nothing else, it gave you a good sense of where your goals should be.  Did you push yourself too hard, or not hard enough?
            There is no right or wrong answer here.  The right speed for you is going to depend on what you want to get out of this and where you’re hoping to go with it.  There’s no reason for me–or for you– to compare myself to anyone else. It just matters that I’m getting something done.
            Maybe think about that a bit as 2019 rolls closer.
            On which note, I’m going to try to get some work done before we lunge into 2019.  Hope the holiday shave been good to you and continue to be so.
            Next time, I’ll probably be giving my start of the year spiel.
            Until then… go write.    

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December 20, 2018

Christmas Time

            Two semi-holiday related posts?  In the same month?  I’ve just totally sold out to the whole capitalist Christmas experience, haven’t I?
            Honestly, I’ve been sick in bed most of the week, so there won’t be much to this.  Lost a lot of time.  I still have a ton of presents to wrap.  And mail…
            Speaking of time, something bounced across my mind a week or three back, and it’s been fermenting over there in the corner for a bit…
            As a little kid, once we hit December, I could tell you almost exactly how long it was until Christmas.  As we got closer, my brother and I would start planning it down to the hour. Sometimes down to the minute.  What time we could wake up.  What time we could expect to wake my parents up (without fear of reprisals).  What time they’d let us come downstairs.  Christmas wasn’t in “a couple of days”—we were two days, fourteen hours, and six minutes away from opening presents.
            (that’s the present Mom let us take to bed with us on Christmas Eve—the bribe to keep us quiet and in our rooms for an hour or so after we woke up)
           Of course, after I got older it did just become “a couple of days” until Christmas.  I met people who didn’t celebrate Christmas and kept an even looser sense of when it was than me.  I even tried to actively avoid it for a while.
            What random point am I trying to make this week?
            How characters think about time says something about them.  It lets me know if they’re precise people or if they tend to speak in generalities.  It even gives me an idea how important events are to them.
            I mean, how long is twenty-four days?  Is it just 24 days?  Or is it  a few weeks?  Maybe three weeks?  Almost four weeks? Practically a month?
            If I told you something happened a couple of weeks, ago does it seem as important as that happened sixteen days, eight hours ago?  Am I looking forward to a party that’s still more than a week away?  Or that dinner that’s in less than four days?
            Y’see, Timmy, people are unique, and we all think about time in different ways.  Sometimes we generalize and estimate.  We round up and down.  We abbreviate one way or another.  And other times we’re very precise.  Maybe we won’t even give an answer until we can give the exact, confirmed answer. 
            And this can all change depending on context.  I might be vague about when I’m meeting friends for drinks, but very specific about when that date with Phoebe is.  I can tell you exactly how long I’ll be at the office, but I might be up playing Falloutuntil, y’know, later.  Don’t wait up for me.
            So when I’m writing characters, and they’re dealing with time, keep that in mind.
            And speaking of time, I hope you’re looking at a comfortable, stress-free couple of days.  If you’re in LA and happen to still need a last-minute gift or two, Dark Delicacies has some autographed books of mine, if that interests you.  And if not, there are a ton of awesome books at your favorite local bookstore.
            I hope all of you reading this have a fantastic holiday season.  Maybe I’ll see you all one last time before the new year rolls in.
            Have fun.  Try to enjoy a few peaceful days.  And maybe, if you have some time…
            Go write.
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December 13, 2018

Holiday Triangles

            Well, it’s that time of year again.  Time to cue up that playlist of holiday music and pick out your stack of favorite movies.  Maybe you go a little more unconventional with your choices, maybe you stick to the classics, but whatever your flavor is, I’m sure there’s a lot of them.

            Hell, holiday movies are pretty much a solid, dependable genre at this point.  Just between Hallmark and Netflix, I think there’s forty or fifty new ones just for this year alone.  I worked on one ten years ago and it still gets heavy circulation.  People go nuts about the “plague” of superhero movies, but seriously—Christmas movies are the real machine.
            Anyway…

            We laugh at a lot of these and roll our eyes because they often feature some kind of painful romance.  And that’s what I wanted to talk about.  Where that awkwardness comes from and why these stories kinda keeps us at arms length rather than pulling us in.
            The standard Christmas movie goes something like this.  A young woman (it’s almost always a woman) falls for a guy who’s a few weeks away from getting engaged, married, etc.  The two of them have chemistry, while his girlfriend/ fiancé rages away at her job or as a larval Bridezilla or maybe just as a generally awful, awful person.  Eventually the guy comes to see the error of his ways and our two impossibly good-looking people end up together just in time to kiss on Christmas Eve.
            I’ve talked about this general type of romantic triangle once or thrice before, and before we dive in at might be worth going back and glancing over that real quick—it sums up the ground rules of how and why these triangles work.
            Y’see, there’s a really basic flaw in how a lot of these holiday movies set up that triangle.  It’s why they always come across as a bit weird and the protagonists always seem a bit… well, wrong.  And I think it’s one of those things that’s really easy for me to avoid once I see it all laid out
            Let’s use that basic structure up above for our example.  Our test story, so to speak.  Amy (A) has a meet-cute with Bob (B), who is in a relationship with Kat (C, just to keep you on your toes).  Amy and Bob have chemistry, Kat is bordering on (if not openly) awful and clearly wrong for Bob.  And it’s Christmas because… y’know, that’s when this always seems to happen.
            Now, normally in a romantic triangle situation like this, our protagonist would be Bob.  Bob, after all, is the one who needs to make a choice here, right?  He needs to be active and decide if he wants to be with Amy or Kat.
            But…
            Our protagonist is Amy.  And the only way I can make Amy active in this situation is to make her… well, kinda unlikable.  If she does anything to improve things with Bob—all those standard romance bonding moments like long talks and quiet dinners and heartfelt discussions about shared passions—it kinda means she’s undercutting Bob’s relationship with Kat.  Which is a little rough, morally, no matter what we think of Kat.
            And geeeeez, if things get physical to almost any level, well, now they both look bad.  Amy’s making moves on somebody in a relationship.  Bob’s in a relationship and hooking up with someone else.  I mean, how bad does Kat have to be for us to be cool with Bob cheating on her?  And if she’s not that bad, then… well, yeah, he’s a jerk.
            And, yes—sometimes odd things happen between people in really specific situations.  Everybody reacts differently to stress and fear and all that.  Firm embraces may happen.  Maybe even a kiss or odd proclamation.  But that’s a reeeeeeeeeeeeeeally fine line.  Scary fine.  It’s so easy for that situation to go from understandable and excusable to what-the-hell inappropriate.
            Y’see, Timmy, when Amy’s this point in the triangle, she isn’t the one with a choice to make. Not a real one, anyway. She has two options. She can do nothing (which ends the story pretty quick) or she can try to disrupt Bob and Kat’s relationship. Those are her only paths, as far as our plot goes, and neither of them is a great one from a storytelling point of view.

            I think when writers do this, they’re confusing the outcome with the choices that lead to it. We’ve all heard “the ends justify the means,” but this tends to ignore the fact that the means I use also determine what kind of end I get. There are tons of ways Amy and Bob can end up together, but a lot of them can be paths that make one of them—or both of them—characters we don’t really like or care about. In some cases, we may even be actively rooting against them. Cause they’re horrible people.
           Don’t worry about outcomes. Outcomes are the conclusion of a story.  Think about the path to that outcome. The choices my character has to make in order to get there. 

            Because those choices are my story. They’re my plot.  And if there aren’t any real choices, or they’re all being made by supporting characters, or they’re the wrong kind of choices, or they’re just all bad ones… well…
            I shouldn’t be too shocked if people think it’s a bad story.
            Speaking of stories, here’ s one last reminder that books make fantastic holiday gifts, and to maybe check this out if you’re having trouble affording things this year.
            Next time, I wanted to talk a little bit about time.
            Until then, go write.
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